<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6617819476792468520</id><updated>2012-01-31T02:39:50.343-08:00</updated><category term='Tecnologia Inovação'/><category term='Esporte'/><category term='Tecnologia da Informação'/><category term='poemas'/><category term='Desenvolvimento'/><category term='Opniao'/><category term='Luciane Braga'/><category term='China'/><category term='Debate Aberto'/><category term='Vida'/><category term='100% Brasil'/><category term='Superação'/><category term='Brasil'/><category term='IMPOSTOS'/><category term='BIKEs'/><category term='Educação'/><category term='Negócios'/><category term='Energia'/><category term='Entrevista'/><category term='Inspiração pra tudo que eu Viver :)'/><category term='Internacional'/><category term='Cultura'/><category term='Arquitetura'/><category term='Sylvia Beirute'/><category term='Pulseira Amarela Acessórios'/><category term='Saúde'/><category term='Cidades'/><category term='Música é a sobremesa da Vida :)'/><category term='APOIO ESTA FRENTE'/><category term='Arte'/><category term='Meio Ambiente'/><category term='Mundo Arabe'/><category term='Som'/><category term='Planejamento'/><category term='xingu'/><title type='text'>100% Brasil</title><subtitle type='html'>Pelo fim da propaganda de bebidas alcoólicas!</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default?start-index=101&amp;max-results=100'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2747</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-1530165242713652527</id><published>2012-01-31T02:39:00.000-08:00</published><updated>2012-01-31T02:39:50.406-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Debate Aberto'/><category scheme='http://www.blogger.com/atom/ns#' term='Opniao'/><title type='text'></title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-RLX4fkr2-lY/TyfEZxcq_fI/AAAAAAAAhCw/aOjcRqS6TE0/s1600/burguesia.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;img border="0" height="238" src="http://1.bp.blogspot.com/-RLX4fkr2-lY/TyfEZxcq_fI/AAAAAAAAhCw/aOjcRqS6TE0/s320/burguesia.jpg" width="320" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="font-size: xx-small;"&gt;&lt;span style="font-weight: bold; text-align: left;"&gt;Fotos:&amp;nbsp;&lt;/span&gt;&lt;span class="headline" style="text-align: left; text-decoration: none;"&gt;Recriação do jogo Monopoly instalada por Banksy no acampamento do Occupy London&lt;/span&gt;&lt;span style="font-weight: bold; text-align: left;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;h2 style="font-weight: normal; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 5px; text-align: justify; text-decoration: none;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: small;"&gt;Em tempos de crise, o candidato óbvio para “apertar os cintos” são os níveis mais baixos da burguesia assalariada: uma vez que o seu mais-salário não cumpre nenhum papel econômico imanente, a única coisa que permite diferenciá-los do proletariado são seus protestos políticos. Embora estes protestos sejam nominalmente dirigidos pela lógica brutal do mercado, eles efetivamente protestam contra a gradual corrosão de sua posição econômica (politicamente) privilegiada. O artigo é de Slavoj Zizek.&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div class="headline-link" style="font-weight: bold; margin-bottom: 5px; text-decoration: none;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Slavoj Zizek - Blog da Boitempo&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="texto" style="line-height: 18px; margin-top: 20px; text-decoration: none;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;i style="text-decoration: none;"&gt;(*) Artigo publicado originalmente no&amp;nbsp;&lt;a href="http://boitempoeditorial.wordpress.com/2012/01/27/a-revolta-da-burguesia-assalariada/" target="_blank"&gt;blog da Boitempo&lt;/a&gt;&lt;/i&gt;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Embora os protestos sociais em curso nos países ocidentais desenvolvidos pareçam indicar o renascimento de um movimento emancipatório radical, uma análise mais detalhada nos compele a elaborar uma série de distinções precisas que, de alguma forma, embaçam essa clara imagem.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Três coisas caracterizam o capitalismo de hoje: a tendência de longo prazo de transformação do lucro em renda (em suas duas principais formas: a renda do “conhecimento comum” privatizado e a renda pelos recursos naturais); o papel estrutural mais forte do desemprego (a própria chance de ser “explorado” em um emprego duradouro é percebida como um privilégio); e a ascensão de uma nova classe que Jean-Claude Milner chama de “burguesia assalariada” [Veja Jean-Claude Milner, Clartes de tout, Paris, Verdier, 2011].&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Para explicar a relação entre estas características, comecemos com Bill Gates: como ele se tornou o homem mais rico do mundo? Sua riqueza não tem nada a ver com o custo de produção daquilo que a Microsoft vende (pode-se até mesmo argumentar que a Microsoft paga a seus trabalhadores intelectuais um salário relativamente alto), isto é, a riqueza de Gates não é o resultado de seu sucesso em produzir bons softwares por preços mais baixos do que seus concorrentes ou por uma “maior exploração” de seus trabalhadores intelectuais contratados.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Se este fosse o caso, a Microsoft teria ido a falência há muito tempo: as pessoas teriam optado massivamente por programas como Linux que são de graça e, de acordo com especialistas, de melhor qualidade que os programas da Microsoft. Por que, então, existem milhões de pessoas que ainda compram Microsoft? Porque a Microsoft se impôs como um padrão quase universal, “quase” monopolizando o setor, uma espécie de personificação direta daquilo que Marx chamou de&amp;nbsp;&lt;i style="text-decoration: none;"&gt;General Intellect&lt;/i&gt;(Intelecto Coletivo), o conhecimento coletivo em todas as suas dimensões, da ciência ao prático know how.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Gates se tornou o homem mais rico em algumas décadas através da apropriação da renda pela permissão de que milhões participem na forma do “intelecto coletivo” que ele privatizou e controla.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Deve-se transformar criticamente o aparato conceitual de Marx: por causa de sua negligência em relação à dimensão social do “intelecto coletivo”, Marx não vislumbrou a possibilidade de privatização do próprio “intelecto coletivo”. É isto que está no coração da luta contemporânea pela propriedade intelectual: a exploração tem cada vez mais a forma de renda, ou, como diz Carlo Vercellone, o capitalismo pós-industrial é caracterizado pelo “tornar-se renda do lucro” [Veja Capitalismo cognitivo, editado por Carlo Vercellone, Roma, manifestolibri, 2006].&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Em outras palavras, quando, por conta do papel crucial do “intelecto coletivo” (conhecimento e cooperação social) na criação de riqueza, as formas de riqueza se tornam cada vez mais desproporcionais em relação ao tempo de trabalho diretamente empregado na produção, o resultado não é, como Marx parecia esperar, a autodissolução do capitalismo, mas a transformação gradual do lucro gerado pela exploração da força de trabalho em renda apropriada pela privatização do “intelecto coletivo”.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;O mesmo acontece com os recursos naturais: sua exploração é uma das maiores fontes de renda hoje, acompanhada da luta permanente pra saber quem ficará com esta renda – os povos do Terceiro Mundo ou as corporações ocidentais (a suprema ironia é que, para explicar a diferença entre força de trabalho – que, em seu uso, produz mais-valia sobre seu próprio valor – e outras mercadorias – que somente consomem seu próprio valor em seu uso e, portanto, não envolvem exploração -, Marx menciona como exemplo de uma mercadoria ordinária o petróleo, a própria mercadoria que hoje é a fonte de extraordinários “lucros”…).&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Aqui também não faz sentido vincular as altas e baixas do preço do petróleo com altos e baixos custos de produção ou preços do trabalho explorado – custos de produção são negligenciáveis, o preço que pagamos pelo petróleo é a renda que pagamos para os proprietários deste recurso por conta de sua escassez e oferta limitada.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;A consequência deste crescimento na produtividade alavancado pelo impacto exponencialmente crescente do conhecimento coletivo é a transformação do papel do desemprego: embora o “desemprego seja estruturalmente inseparável da dinâmica de acumulação e expansão que constitui a própria natureza do capitalismo enquanto tal” [Fredric Jameson, em Representing Capital, Londres, Verso Books, 2011, p. 149], o desemprego adquiriu atualmente um papel qualitativamente diferente.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Naquilo que, possivelmente, é o ponto extremo da “unidade dos opostos” na esfera da economia, é o próprio sucesso do capitalismo (crescimento produtivo etc.) que produz desemprego (produz mais e mais trabalhadores inúteis) – o que deveria ser uma benção (menos trabalho duro necessário) se torna uma sina. O mercado global é, assim, em relação a sua dinâmica imanente, “um espaço no qual todos já foram, um dia, trabalhadores produtivos, e no qual o trabalho, em todos os lugares, foi aos poucos retirando-se do sistema” [Fredric Jameson, em Valences of the Dialetic, Londres, Verso Books, 2009, p. 580-1].&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Isso é, no atual processo de globalização capitalista, a categoria dos desempregados adquire uma nova qualidade além da clássica noção de “exército industrial de reserva”: devemos considerar em relação a categoria do desemprego “aquelas enormes populações, que ao redor do mundo foram ‘expulsas da história’, que foram deliberadamente excluídas dos projetos modernizadores do capitalismo de primeiro mundo e apagadas como casos terminais sem esperança” [Jameson, em Representing Capital, p. 149]: os assim chamados estados falidos (Congo, Somália), vítimas da fome ou de desastres ecológicos, presos a “rancores étnicos” pseudo-arcaicos, objetos da filantropia e das ONGs, ou (frequentemente os mesmos personagens) da “guerra contra o terror”.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;A categoria dos desempregados deve assim ser expandida para agregar uma população de largo alcance, dos temporariamente desempregados, passando pelos não mais empregáveis, até pessoas vivendo nas favelas e outras formas de guetos (todos aqueles desconsiderados pelo próprio Marx como “lúmpem-proletariado”) e, finalmente, áreas inteiras, populações ou estados excluídos do processo capitalista global, como os espaços em branco nos mapas antigos.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Mas esta nova forma de capitalismo não traz também uma nova perspectiva de emancipação? Nisto reside a tese de Hardt e Negri em Multidão: guerra e democracia na Era do Império [Rio de Janeiro: Record, 2005] onde eles pretendem radicalizar Marx, para quem o capitalismo corporativo altamente organizado já era uma forma de “socialismo dentro do capitalismo” (uma espécie de socialização do capitalismo, com os proprietários tornando-se cada vez mais supérfluos), de maneira que seria necessário apenas cortar a cabeça do proprietário nominal e nós teríamos socialismo.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Para Hardt e Negri, entretanto, a limitação de Marx foi estar historicamente limitado ao trabalho industrial mecanicamente industrializado e hierarquicamente organizado, razão pela qual a sua visão de “intelecto coletivo” seria como uma agência central de planejamento; somente hoje, com a elevação do trabalho imaterial ao padrão hegemônico, a transformação revolucionária se torna “objetivamente possível”. Esse trabalho imaterial se desdobra entre dois pólos: trabalho (simbólico) intelectual (produção de ideias, códigos, textos, programas, figuras etc. por escritores, programadores…) e trabalho afetivo (aqueles que lidam com afecções corpóreas, de médicos a babás e aeromoças).&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;O trabalho imaterial é hoje hegemônico no sentido preciso em que Marx proclamou que, no capitalismo do século XIX, a produção industrial em larga escala era hegemônica, como a cor específica dando o tom da totalidade – não quantitativamente, mas cumprido um papel chave, emblematicamente estrutural. Assim, o que surge é um inédito vasto domínio dos “comuns”: conhecimento compartilhado, formas de cooperação e comunicação etc. que não podem mais ser contidos na forma da propriedade privada – por quê? Na produção imaterial, os produtos já não são objetos materiais, mas novas relações sociais (interpessoais) – em suma, a produção imaterial já é diretamente biopolítica, produção de vida social.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;A ironia é que Hardt e Negri se referem aqui ao próprio processo que os ideólogos do capitalismo “pós-moderno” celebram como a passagem da produção material para a simbólica, da lógica centralista-hierárquica para a lógica da autopóiese e da auto-organização, cooperação multi-centralizada etc. Negri é aqui efetivamente fiel a Marx: o que ele tenta provar é que Marx estava certo, que a ascensão do intelecto coletivo é, em longo prazo, incompatível com o capitalismo.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Os ideólogos do capitalismo pós-moderno estão afirmando exatamente o oposto: é a teoria marxista (e sua prática) que permanecem dentro dos limites de uma lógica hierárquica e sob controle centralizado do Estado, e assim não conseguem lidar com os efeitos sociais da nova revolução informacional. Existem boas razões empíricas para esta afirmação: de novo, a suprema ironia da história é que a desintegração do Comunismo é o exemplo mais convincente da validade da tradicional dialética marxista entre forças produtivas e relações de produção com a qual o marxismo contou na sua tentativa de superar o capitalismo.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;O que arruinou efetivamente os regimes comunistas foi sua inabilidade em acomodar-se à nova lógica social sustentada pela “revolução informacional”: eles tentaram dirigir esta revolução com um novo projeto de planejamento estatal centralizado de larga escala. O paradoxo, assim, é que aquilo que Negri celebra como chance única de superação do capitalismo, é exatamente o que os ideólogos da “revolução informacional” celebram como ascensão de um novo capitalismo “sem fricção”.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;A análise de Hardt e Negri possui três pontos fracos que, em sua combinação, explicam como o capitalismo pode sobreviver ao que deveria ser (em termos marxistas clássicos) uma nova organização da produção que o tornaria obsoleto. Ela subestima a extensão do sucesso do capitalismo contemporâneo (pelo menos em curto prazo) de privatizar o “conhecimento comum”, assim como a extensão com que, mais do que a burguesia, são os próprios trabalhadores que se tornam “supérfluos” (número cada vez maior deles torna-se não somente desempregado, mas estruturalmente inempregável).&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Além disso, mesmo que seja verdade, em princípio, que a burguesia está progressivamente se tornando desfuncional, deve-se qualificar esta afirmação – desfuncional para quem? Para o próprio capitalismo. Isto quer dizer que, se o velho capitalismo envolvia idealmente um empreendedor que investia dinheiro (seu ou emprestado) em produção organizada e dirigida por ele próprio, recolhendo o lucro, hoje está surgindo um novo tipo ideal: não mais o empreendedor que possui sua própria empresa, mas o gerente especialista (ou um conselho administrativo presidido por um CEO) de uma empresa de propriedade dos bancos (também dirigidos por gerentes que não possuem os bancos) ou investidores dispersos. Neste novo tipo ideal de capitalismo sem burguesia, a velha burguesia desfuncional é refuncionalizada como gerentes assalariados – a nova burguesia recebe cotas, e mesmo se ela possui uma parte na empresa, eles recebem as ações como parte da remuneração pelo trabalho (“bônus por sua gerência bem sucedida”).&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Esta nova burguesia ainda se apropria da mais-valia, mas da forma mistificada daquilo que Milner chama de “mais-salário”: em geral, a eles é pago mais do que o salário mínimo do proletário (este ponto de referência imaginário – frequentemente mítico – cujo único verdadeiro exemplo na economia global de hoje é o salário de um trabalhador numa sweat-shop na China ou na Indonésia), e é esta diferença em relação aos proletários comuns, esta distinção, que determina seu status. A burguesia no sentido clássico, assim, tende a desaparecer. Os capitalistas reaparecem como um subconjunto dos trabalhadores assalariados – gerentes qualificados para ganhar mais por sua competência (razão pela qual a “avaliação” pseudo-científica que legitima os especialistas a ganharem mais é crucial hoje em dia).&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;A categoria dos trabalhadores que recebem mais-salário não está, obviamente, limitada aos gerentes: ela se estende a todos os tipos de especialistas, administradores, funcionários públicos, médicos, advogados, jornalistas, intelectuais, artistas… O excesso que eles recebem tem duas formas: mais dinheiro (para gerentes etc.), mas também menos trabalho, isto é, mais tempo livre (para alguns intelectuais, mas também para setores da administração estatal).&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;O procedimento de avaliação que qualifica alguns trabalhadores para receberem mais-salário é, claramente, um mecanismo arbitrário de poder e ideologia sem nenhuma ligação séria com a competência real – ou, como diz Milner, a necessidade de mais-salário não é econômica, mas política: para manter uma “classe média” com o propósito de estabilidade social. A arbitrariedade da hierarquia social não é um erro, mas todo o seu propósito, de forma que a arbitrariedade da avaliação cumpre um papel homólogo à arbitrariedade do sucesso de mercado. Isto é, a violência ameaça explodir não quando existe muita contingência no espaço social, mas quando se tenta eliminar esta contingência.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;É neste nível que se deve buscar pelo que se pode chamar de, em termos um tanto vagos, a função social da hierarquia. Jean-Pierre Dupuy [em La marque du sacre, Paris, Carnets Nord, 2008] concebe a hierarquia como um dos quatro procedimentos (“dispositivos simbólicos”) cuja função é fazer com que a relação de superioridade não seja humilhante para os subordinados: a hierarquia (a ordem externamente imposta de papéis sociais em clara contraposição ao valor imanente dos indivíduos – eu, portanto, experimento meu menor status social como totalmente independente do meu valor intrínseco); a desmistificação (o procedimento crítico-ideológico que demonstra que as relações de superioridade/inferioridade não estão fundamentadas na meritocracia, mas são resultado de lutas objetivamente ideológicas e sociais: meu status social depende de processos sociais objetivos, não de méritos – como diz Dupuy sarcasticamente, a desmistificação social “cumpre o mesmo papel, em nossas sociedades igualitárias, competitivas e meritocráticas do que a hierarquia nas sociedades tradicionais” [p. 208] – isto nos permite evitar a conclusão dolorosa de que “a superioridade do outro é o resultado de seus méritos e conquistas”; a contingência (o mesmo mecanismo, porém sem a sua forma crítico-social: nossa posição em escala social depende de uma loteria natural e social – sortudos são aqueles que nascem com melhores disposições e em famílias ricas); a complexidade (superioridade ou inferioridade dependem de um processo social complexo independente das intenções ou méritos dos indivíduos – digamos, a mão invisível do mercado pode causar o meu fracasso ou o sucesso do meu vizinho, mesmo que eu tenha trabalhado muito mais e seja muito mais inteligente).&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Ao contrário do que parece, todos estes mecanismos não contestam ou sequer ameaçam a hierarquia, mas a tornam palatável, uma vez que “o que desencadeia o turbilhão da inveja é a ideia de que o outro merece a sua sorte e não a ideia oposta, a única que pode ser abertamente expressa” [p.211]. Dupuy extrai desta premissa a conclusão (óbvia, para ele) de que é um grande erro pensar que uma sociedade que seja justa e que se perceba como justa será assim livre de todo o ressentimento – ao contrário, é precisamente em tal sociedade que aqueles que ocupam posições inferiores encontraram uma válvula de escape para seu orgulho ferido em violentas explosões de ressentimento.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Aí reside um dos maiores impasses da China hoje: o objetivo ideal das reformas de Deng Xiaoping era introduzir um capitalismo sem burguesia (como classe dominante); agora, entretanto, os líderes chineses estão descobrindo dolorosamente que o capitalismo sem hierarquia estável (conduzida pela burguesia como nova classe) gera permanente instabilidade – portanto, que caminho tomará a China? Mais genericamente, esta é possivelmente a razão pela qual (ex-)comunistas reaparecem como os mais eficientes gestores do capitalismo: sua histórica inimizade com a burguesia enquanto classe se encaixa perfeitamente na tendência do capitalismo contemporâneo em direção a um capitalismo gerencial sem burguesia – em ambos os casos, como Stalin disse a muito tempo, “os quadros decidem tudo” (está surgindo também uma diferença interessante entre a China de hoje e a Rússia: na Rússia os quadros universitários eram ridiculamente mal pagos, eles de fato se confundiam com os proletários, enquanto na China eles são bem remunerados com um “mais-salário” como meio de garantir sua docilidade).&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Além disso, esta noção de “mais-salário” também nos permite lançar novas luzes sobre os atuais protestos “anti-capitalistas”. Em tempos de crise, o candidato óbvio para “apertar os cintos” são os níveis mais baixos da burguesia assalariada: uma vez que o seu mais-salário não cumpre nenhum papel econômico imanente, a única coisa que permite diferenciá-los do proletariado são seus protestos políticos. Embora estes protestos sejam nominalmente dirigidos pela lógica brutal do mercado, eles efetivamente protestam contra a gradual corrosão de sua posição econômica (politicamente) privilegiada.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Lembremos da fantasia ideológica favorita de Ayn Rand (de seu Atlas Shrugged), a de “criativos” capitalistas em greve – esta fantasia não encontra sua realização perversa nas greves de hoje, que em sua maioria são greves da privilegiada “burguesia assalariada” motivada pelo medo de perder seu privilégio (o excedente sobre o salário mínimo)? Não são protestos proletários, mas protestos contra a ameaça de ser reduzido à condição proletária. Isto quer dizer: quem ousa se manifestar hoje, quando ter um emprego permanente já se tornou um privilégio? Não os trabalhadores mal pagos (no que sobrou) da indústria têxtil etc. mas o estrato de trabalhadores privilegiados com empregos garantidos (muitos da administração estatal, como a polícia e os fiscais da lei, professores, trabalhadores do transporte público etc.). Isto também vale para a nova onda de protestos estudantis: sua maior motivação é o medo de que a educação superior não mais lhes garanta um mais-salário na vida futura.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Está claro, obviamente, que o enorme renascimento dos protestos no último ano, da Primavera Árabe ao Leste Europeu, do Occupy Wall Street à China, da Espanha à Grécia, não devem definitivamente ser desconsiderados como uma revolta da burguesia assalariada – eles guardam potenciais muito mais radicais, de forma que devemos nos engajar numa análise concreta caso a caso. Os protestos estudantis contra a reforma universitária em curso no Reino Unido são claramente opostos às barricadas do Reino Unido em agosto de 2011, este carnaval consumista de destruição, a verdadeira explosão dos excluídos.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Em relação aos levantes do Egito, pode-se argumentar que, no começo, houve um momento de revolta da burguesia assalariada (jovens bem educados protestando contra a falta de perspectiva), mas isto foi parte de um amplo protesto contra um regime opressivo. Entretanto, até que ponto o protesto conseguiu mobilizar trabalhadores e camponeses pobres? Não seria a vitória eleitoral dos islâmicos também uma indicação da base social estreita do protesto secular original?&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;A Grécia é um caso especial: nas últimas décadas surgiu uma nova “burguesia assalariada” (especialmente na administração estatal superdimensionada) graças à ajuda financeira e empréstimos da União Europeia, e muitos dos protestos atuais, mais uma vez, reagem à ameaça de perda destes privilégios.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Além disso, esta proletarização da baixa “burguesia assalariada” vem acompanhada do excesso oposto: as remunerações irracionalmente altas dos grandes executivos e banqueiros (remunerações economicamente irracionais, uma vez que, como demonstraram as investigações nos Estados Unidos, elas tendem a ser inversamente proporcionais ao sucesso da empresa). É verdade, parte do preço pago por essa super remuneração é o fato dos executivos ficarem totalmente disponíveis 24 horas por dia, vivendo assim num estado de emergência permanente. Mais do que submeter estas tendências a uma crítica moralista, deveríamos interpretá-las como a indicação de como o próprio sistema capitalista não é mais capaz de encontrar um nível interno de estabilidade autorregulada e de como esta circulação ameaça sair do controle.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;&lt;i style="text-decoration: none;"&gt;(*) Traduzido por Chrysantho Sholl e Fernando Marcelino&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Fonte:&amp;nbsp;&lt;a href="http://www.cartamaior.com.br/templates/materiaMostrar.cfm?materia_id=19508"&gt;http://www.cartamaior.com.br/templates/materiaMostrar.cfm?materia_id=19508&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 23px; margin-bottom: 1.7em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; vertical-align: baseline;"&gt;&lt;span style="background-color: black; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Todos os títulos de Slavoj Žižek publicados no Brasil pela Boitempo já estão disponíveis em&amp;nbsp;&lt;strong style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;ebooks&lt;/span&gt;&lt;/strong&gt;, confira:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 23px; margin-bottom: 1.7em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; vertical-align: baseline;"&gt;&lt;span style="background-color: black; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; font-weight: inherit; 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margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Às portas da revolução: escritos de Lenin de 1917&lt;/span&gt;&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;, de Slavoj&amp;nbsp;Žižek * ePub (&lt;a href="http://www.livrariacultura.com.br/scripts/resenha/resenha.asp?nitem=22607844&amp;amp;sid=201525413912567785852460" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Livraria Cultura&lt;/span&gt;&lt;/a&gt;&amp;nbsp;|&lt;a href="http://www.gatosabido.com.br/ebook-download/154294/slavoj-zizek-as-portas-da-revolucao.html" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Gato Sabido&lt;/span&gt;&lt;/a&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 23px; margin-bottom: 1.7em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; vertical-align: baseline;"&gt;&lt;span style="background-color: black; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; 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font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;a href="http://zizek.com.br/livro_completo.php?isbn=978-85-7559-124-6" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; 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border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&amp;nbsp;Gato Sabido&lt;/span&gt;&lt;/a&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 23px; margin-bottom: 1.7em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; vertical-align: baseline;"&gt;&lt;span style="background-color: black; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;***&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 23px; margin-bottom: 1.7em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; vertical-align: baseline;"&gt;&lt;span style="background-color: black; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Slavoj Žižek&lt;/span&gt;&lt;/strong&gt;&amp;nbsp;&amp;nbsp;nasceu na cidade de Liubliana, Eslovênia, em 1949. É filósofo, psicanalista e um dos principais teóricos contemporâneos. Transita por diversas áreas do conhecimento e, sob influência principalmente de Karl Marx e Jacques Lacan, efetua uma inovadora crítica cultural e política da pós-modernidade. Professor da European Graduate School e do Instituto de Sociologia da Universidade de Liubliana, Žižek preside a Society for Theoretical Psychoanalysis, de Liubliana, e é um dos diretores do centro de humanidades da University of London. Dele, a Boitempo publicou&amp;nbsp;&lt;em style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Bem-vindo ao deserto do Real!&lt;/em&gt;&amp;nbsp;(2003),&amp;nbsp;&lt;em style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Às portas da revolução&lt;/em&gt;&amp;nbsp;(escritos de Lenin de 1917) (2005),&amp;nbsp;&lt;em style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;A visão em paralaxe&lt;/em&gt;&amp;nbsp;(2008),&amp;nbsp;&lt;em style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Lacrimae rerum&lt;/em&gt;&amp;nbsp;(2009) e os mais recentes&amp;nbsp;&lt;em style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Em defesa das causas perdidas&lt;/em&gt;&amp;nbsp;e&amp;nbsp;&lt;em style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Primeiro como tragédia, depois como farsa&lt;/em&gt;(ambos de 2011). Colabora com o&amp;nbsp;&lt;strong style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Blog da Boitempo&lt;/span&gt;&lt;/strong&gt;&amp;nbsp;esporadicamente.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 23px; margin-bottom: 1.7em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; vertical-align: baseline;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Fonte:&amp;nbsp;&lt;a href="http://boitempoeditorial.wordpress.com/2012/01/27/a-revolta-da-burguesia-assalariada/"&gt;http://boitempoeditorial.wordpress.com/2012/01/27/a-revolta-da-burguesia-assalariada/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-1530165242713652527?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/1530165242713652527/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=1530165242713652527&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/1530165242713652527'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/1530165242713652527'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/fotos-recriacao-do-jogo-monopoly.html' title=''/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-RLX4fkr2-lY/TyfEZxcq_fI/AAAAAAAAhCw/aOjcRqS6TE0/s72-c/burguesia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-1134433104748640905</id><published>2012-01-31T02:32:00.001-08:00</published><updated>2012-01-31T02:32:48.506-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Internacional'/><category scheme='http://www.blogger.com/atom/ns#' term='Debate Aberto'/><title type='text'>Um novo degrau de ruptura</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Vx4YwAEsF9s/TyfDH3iSqcI/AAAAAAAAhCc/ZaBDMh6X-ZU/s1600/grecia.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;img border="0" height="160" src="http://4.bp.blogspot.com/-Vx4YwAEsF9s/TyfDH3iSqcI/AAAAAAAAhCc/ZaBDMh6X-ZU/s320/grecia.jpg" width="320" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="corpo" style="line-height: 18px; margin-bottom: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;O conservadorismo reconhecido e não dissimulado do Financial Times deu contornos ainda mais desconcertantes a uma informação exclusiva publicada na sua edição de 6ª feira última, 27-01. Documento sigiloso do governo alemão, obtido pelo jornal, preconiza literalmente que a Grécia seja privada de sua soberania orçamentária terceirizando-se o comando financeiro do país a um diretório nomeado pela UE. Simultaneamente, o Parlamento grego seria induzido a aprovar uma lei que legitimaria a precedência do pagamento aos credores sobre qualquer outro gasto público nacional, até que se possa zerar esse passivo. Ou seja, nunca.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;No estilo peremptório conhecido dos mercados, o diktat prussiano conclui que diante da insatisfatória competência de Atenas para cumprir acordo anteriores, "a Grécia tem que aceitar a cessão de sua soberania orçamentária para a administração européia por um tempo".&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;O desembaraço de um poder financeiro que se move a contrapelo da democracia e da soberania das Nações é conhecido. Brasil e outras nações latino-americanas viveram isso na pele nos anos 80/90. Mas exceto no Tratado de Versalhes, nunca antes havia se manifestado na Europa de forma tão desabrida como agora, quando interventores são nomeados e ajustes são impostos a elites genuflexas e Parlamentos catatônicos, que renunciam a referendos e plebiscitos para não afrontar o imperativo financeiro.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;O importante a reter é a incompatibilidade entre a asfixia necessária à preservação da riqueza financeira e as necessidades sociais e salvaguardas democráticas nos dias que correm.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;O economista Luiz Gonzaga Belluzzo, em entrevista e debate promovidos por Carta Maior durante o FSM, em Porto Alegre, chamou a coisa pelo nome e extraiu dela as consequências cabíveis que o jogo de faz-de-conta da mídia e de amplos círculos políticos e econômicos hesita em nomear: " A Taxa Tobin já se tornou anacrônica; a questão que está posta pela crise é o controle público de todo o sistema financeiro", disse Belluzzo.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Aqueles que subestimam a importância dos debates travados em Porto Alegre na última semana, elidem a gravidade desse divisor descortinado pelo intelectual cujo nome foi incluído entre os 100 maiores economistas dissidentes do século XX no 'Biographical Dictionary of Dissenting Economists'. Por certo não o fazem por menoscaso ao vencedor do Prêmio Juca Pato de 2005, mas, sim, por não conseguirem lidar com o fardo de uma disjuntiva histórica que os coloca ostesivamente em rota de colisão com a democracia e a civilização.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Como disse o próprio Belluzzo, na cerimonia de entrega do Juca Pato, em 2005: "O que está em jogo é o conflito entre os dois processos de universalização que se propagam desde o Iluminismo: a busca da igualdade entre os homens e os povos e a criação e acumulação da riqueza através da expansão mercantil". Não era apenas uma frase, mas a premonitória visão de um novo degrau de ruptura que agora chegou.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="autor" style="font-weight: bold; height: auto; left: 0px; margin-bottom: 3px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; text-align: left; text-decoration: none; top: 0px; width: 425px;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Postado por Saul Leblon às 18:03&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="autor" style="font-weight: bold; height: auto; left: 0px; margin-bottom: 3px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; text-align: left; text-decoration: none; top: 0px; width: 425px;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="autor" style="font-weight: bold; height: auto; left: 0px; margin-bottom: 3px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; text-align: left; text-decoration: none; top: 0px; width: 425px;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Fonte:&amp;nbsp;&lt;a href="http://www.cartamaior.com.br/templates/postMostrar.cfm?blog_id=6&amp;amp;post_id=877"&gt;http://www.cartamaior.com.br/templates/postMostrar.cfm?blog_id=6&amp;amp;post_id=877&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-1134433104748640905?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/1134433104748640905/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=1134433104748640905&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/1134433104748640905'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/1134433104748640905'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/um-novo-degrau-de-ruptura.html' title='Um novo degrau de ruptura'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Vx4YwAEsF9s/TyfDH3iSqcI/AAAAAAAAhCc/ZaBDMh6X-ZU/s72-c/grecia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-6690391236441667860</id><published>2012-01-31T00:58:00.000-08:00</published><updated>2012-01-31T00:58:18.922-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='100% Brasil'/><category scheme='http://www.blogger.com/atom/ns#' term='Desenvolvimento'/><category scheme='http://www.blogger.com/atom/ns#' term='Energia'/><title type='text'>Cuba abre setor de açúcar a investimento da Odebrecht</title><content type='html'>&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;O conglomerado brasileiro Odebrecht prevê produzir açúcar em Cuba, informou nesta segunda-feira a empresa, no que será o primeiro investimento de capital estrangeiro no setor até o momento fechado na ilha de governo comunista.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;A Companhia de Obras em Infraestrutura (COI), subsidiária da Odebrecht em Cuba, deverá assinar com o estatal Grupo de Administração Empresarial do Açúcar (Azcuba) um contrato de administração produtiva da usina "5 de Septiembre", na província de Cienfuegos. "O acordo, com período de dez anos, tem como objetivo incrementar a produção de açúcar e capacidade de moagem e ajuda na revitalização" do setor, disse a Odebrecht. O projeto abre ao capital estrangeiro um setor sem recursos do país comunista, cuja produção caiu fortemente, de 8 milhões de toneladas na década de 1970 para apenas 1,2 milhão de toneladas na última safra.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;A título de comparação, a atual safra do centro-sul do Brasil, que está na etapa final, registra uma moagem de 492 milhões de toneladas de cana. A entrada da Odebrecht na modernização da decadente indústria açucareira cubana ampliaria o papel da empresa na modernização da infraestrutura da ilha.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;O conglomerado, por meio do seu braço para o setor de bioenergia, é um dos principais produtores de etanol do Brasil, com uma capacidade prevista de processamento de 40 milhões de toneladas de cana em 2012. Cuba permitiu há mais de uma década a entrada do capital estrangeiro para o desenvolvimento de indústrias estratégicas como o turismo e, recentemente, a do petróleo, na qual um consórcio da empresa hispano-argentina Repsol-YPF começará a explorar este ano em águas cubanas.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;Empresas privadas de outros países levaram anos negociando a entrada no setor de açúcar de Cuba, nacionalizado pouco depois da revolução liderada por Fidel Castro, em 1959.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;Segundo um executivo da indústria brasileira de açúcar com conhecimento do projeto, a Odebrecht também produzirá etanol e energia a partir de biomassa em Cuba. "Cuba está se abrindo à possibilidade de produzir etanol acompanhado de geração de energia, e a Odebrecht vai montar ali uma destilaria", disse o empresário. "É um projeto similar ao que a Odebrecht está desenvolvendo em Angola", acrescentou a fonte, em alusão à uma joint venture de 258 milhões de dólares com a petroleira angolana Sonagol para produzir 260.000 toneladas de açúcar, 30 milhões de litros de etanol e 45 megawatts de energia elétrica.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;Alguns especialistas acreditam que Cuba poderá ter ressuscitada a indústria de açúcar e poderia se converter no terceiro maior produtor do biocombustível do mundo, atrás de Estados Unidos e Brasil. O Brasil, segundo produtor de etanol do mundo, tem&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 16px;"&gt;oferecido assistência técnica para Cuba para a produção de biocombustível a partir da cana.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px;"&gt;A construtora brasileira executa obras avaliadas em 800 milhões de dólares para modernizar o porto de contêineres de Mariel, a oeste de Havana. O projeto, financiado em grande parte pelo BNDES, é visto como uma plataforma comercial chave se os Estados Unidos levantarem o embargo à ilha.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black; line-height: 16px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Fonte:&amp;nbsp;&lt;a href="http://poncheverde.blogspot.com/2012/01/cuba-abre-setor-de-acucar-investimento.html"&gt;http://poncheverde.blogspot.com/2012/01/cuba-abre-setor-de-acucar-investimento.html&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: white; color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 13px; line-height: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-6690391236441667860?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/6690391236441667860/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=6690391236441667860&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/6690391236441667860'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/6690391236441667860'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/cuba-abre-setor-de-acucar-investimento.html' title='Cuba abre setor de açúcar a investimento da Odebrecht'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-5977131721294489649</id><published>2012-01-31T00:36:00.000-08:00</published><updated>2012-01-31T00:37:34.215-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Opniao'/><title type='text'>Sessenta anos depois</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Tk2ZymXWUzg/TyentRJNUwI/AAAAAAAAhCU/eDFQmxxG9Hc/s1600/Campanha-o-petr%C3%B3leo-%C3%A9-nosso-298x300.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-Tk2ZymXWUzg/TyentRJNUwI/AAAAAAAAhCU/eDFQmxxG9Hc/s1600/Campanha-o-petr%C3%B3leo-%C3%A9-nosso-298x300.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 12px;"&gt;&lt;span style="font-size: xx-small;"&gt;"O petróleo é nosso". Esta batalha os vetustos donos do poder perderam. Foto: José Vieira Trovão / Ag. Petrobras&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="line-height: 12px;"&gt;&lt;span style="background-color: black; color: #f3f3f3; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="line-height: 12px;"&gt;&lt;span style="background-color: black; color: #f3f3f3; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3; font-family: Verdana, sans-serif;"&gt;Por Mino Carta&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Há 60 anos, estudante de Direito na Faculdade do Largo de São Francisco, &lt;/span&gt;&lt;/span&gt;&lt;span style="background-color: black; color: white;"&gt;cheguei a me sentir pessoalmente atingido pelos editoriais dos jornalões. Mania de grandeza, a minha. A velha e sempre nova academia tornara-se um centro importante das manifestações que agitavam o País consciente à sombra do lema “O Petróleo É Nosso”. Bandeira altiva e justa, desfraldada na perspectiva de um futuro que imaginávamos muito próximo. A mídia reagia enfurecida, clamava contra tamanho atrevimento, forma tola de nacionalismo a ignorar a nossa incompetência e nossos compromissos internacionais.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Os jornalões mastigavam fel diante de um duplo desafio: contra as irmãs do petróleo e, pior ainda, contra o império americano em plena Guerra Fria, contra aquele Tio Sam chamado pelo Altíssimo a nos defender da ameaça marxista-leninista. Era a irredutível vocação de súdito-capacho pronunciada com a pompa do estilo cartorial, próprio dos editoriais daquele tempo, e deste até.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Outros textos de Mino Carta:&lt;a href="http://www.cartacapital.com.br/politica/a-servico-da-treva/?autor=42" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;&lt;br /&gt;O BBB a serviço das trevas&lt;/a&gt;&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;a href="http://www.cartacapital.com.br/politica/democracia-e-capitalismo/?autor=42" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;As atuais incompatibilidades da democracia e do capitalismo&lt;/a&gt;&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;a href="http://www.cartacapital.com.br/politica/mas-que-imperio-e-este/?autor=42" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;A decadência dos EUA&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Nos jornais de hoje leio que a direção da Petrobras foi trocada pela presidenta Dilma, insatisfeita com a gestão e determinada a controlar mais de perto o desempenho da estatal. Onde será que os perdigueiros das redações colhem informações? Antes de incomodar meus pacientes botões, anoto a observação de um amigo: “Na própria reunião de pauta”. Ou seja, antes de sair a campo, o perdigueiro sabe, pela ordem da chefia, o que haverá de contar aos amáveis leitores.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Da boca de Lula&lt;/strong&gt;&amp;nbsp;já ouvi a seguinte consideração: “Se o presidente da República conta no máximo com oito anos de mandato, por que o diretor de uma estatal deveria ter mais?” A troca da guarda na Petrobras estava decidida há tempo, mas a presidenta Dilma não tem motivo algum de insatisfação a respeito da gestão de José Sergio Gabrielli. É do conhecimento até do mundo mineral que, sob o comando de Gabrielli, o valor de mercado da Petrobras fermentou de 14 bilhões de dólares para 160, o pré-sal foi descoberto e o Brasil tornou-se o 11º produtor de petróleo do mundo. Segundo The Economist, por essa trilha chega a quinto até 2020.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;As pedras sabem também que Dilma Rousseff, depois de ocupar a pasta de Minas e Energias no primeiro mandato de Lula, ao assumir a Casa Civil passou a acumular a presidência do Conselho de Administração da Petrobras e manteve estreita ligação com Gabrielli. Talvez a mídia nativa continue aquém do mundo mineral. Reconheça-se, contudo, a sua coerência. Ao longo dos últimos 60 anos, o petróleo ficou claramente nosso e a Petrobras tornou-se uma realidade empolgante, mas a mídia não mudou. Em relação a estas questões, a sua contrariedade se mantém, além de transparente, patética.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Por 60 anos a fio, os barões do jornalismo não perderam a oportunidade de tomar o partido do Tio Sam e das irmãs do petróleo até ensaiar a revanche ao propor a privatização da nossa estatal. Devemos atribuir a um milagre o fato de que Fernando Henrique não tenha atendido aos insistentes, poderosos pedidos. Certo é que a tentação o roçou perigosamente. Quem sabe caiba um agradecimento especial a Nossa Senhora Aparecida se os editorialões acabaram por cair no vazio.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Agrada-me recordar&lt;/strong&gt;&amp;nbsp;1952 e aquele fervor juvenil. Ali nasceu a Petrobras com a chancela de Getúlio Vargas, figura contraditória de estadista manchada pelo período ditatorial e valorizada pela visão do futuro, partilhada, por exemplo, pela juventude do Largo de São Francisco. Getúlio era então o presidente eleito, empenhado em firmar os caminhos da industrialização inaugurados por obras como Volta Redonda, as Leis do Trabalho, a criação do salário mínimo. A imprensa só enxergava então os riscos da mudança, ameaça para tudo aquilo que representava. A Petrobras seria mais um pecado getulista, a ser pago, juntamente com os demais, pelo tiro que ecoou no Catete na manhã de um dia de agosto de 1954. Ocorre-me que o desespero do suicida tenha aflorado com prepotência ao perceber a resistência insana dos vetustos donos do poder e ao imaginar por isso um futuro bem mais distante do que esperavam os moços do Largo.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Fonte:&amp;nbsp;&lt;a href="http://www.cartacapital.com.br/politica/sessenta-anos-depois/?autor=42"&gt;http://www.cartacapital.com.br/politica/sessenta-anos-depois/?autor=42&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black;"&gt;&lt;i&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black;"&gt;&lt;i&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Mino Carta é diretor de redação de CartaCapital. Fundou as revistas Quatro Rodas, Veja e CartaCapital. Foi diretor de Redação das revistas Senhor e IstoÉ. Criou a Edição de Esportes do jornal O Estado de S. Paulo, criou e dirigiu o Jornal da Tarde. redacao@cartacapital.com.br&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-5977131721294489649?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/5977131721294489649/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=5977131721294489649&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/5977131721294489649'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/5977131721294489649'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/sessenta-anos-depois.html' title='Sessenta anos depois'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Tk2ZymXWUzg/TyentRJNUwI/AAAAAAAAhCU/eDFQmxxG9Hc/s72-c/Campanha-o-petr%C3%B3leo-%C3%A9-nosso-298x300.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-8746302454114738976</id><published>2012-01-30T12:25:00.000-08:00</published><updated>2012-01-30T12:25:47.347-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='100% Brasil'/><title type='text'>Acessos 100% Brasil</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Mês&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-P5QZwv2i86U/Tyb8DLYhHUI/AAAAAAAAhCE/LL6Q9PeuK4M/s1600/blog+fluxo+mensal+30012012.png" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;img border="0" height="248" src="http://1.bp.blogspot.com/-P5QZwv2i86U/Tyb8DLYhHUI/AAAAAAAAhCE/LL6Q9PeuK4M/s320/blog+fluxo+mensal+30012012.png" width="320" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Semanal&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-fWFZxOcag2Y/Tyb8fgCj7JI/AAAAAAAAhCM/mPHgiqGXqkY/s1600/blog+fluxo+semanal+30012012.png" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;img border="0" height="265" src="http://4.bp.blogspot.com/-fWFZxOcag2Y/Tyb8fgCj7JI/AAAAAAAAhCM/mPHgiqGXqkY/s320/blog+fluxo+semanal+30012012.png" width="320" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-8746302454114738976?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/8746302454114738976/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=8746302454114738976&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/8746302454114738976'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/8746302454114738976'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/acessos-100-brasil.html' title='Acessos 100% Brasil'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-P5QZwv2i86U/Tyb8DLYhHUI/AAAAAAAAhCE/LL6Q9PeuK4M/s72-c/blog+fluxo+mensal+30012012.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-361380346293154107</id><published>2012-01-30T01:10:00.000-08:00</published><updated>2012-01-30T01:10:59.697-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Arte'/><category scheme='http://www.blogger.com/atom/ns#' term='Som'/><category scheme='http://www.blogger.com/atom/ns#' term='Vida'/><title type='text'>FABIO ZANON</title><content type='html'>&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-xWDesXabe8k/TyZd1rvn37I/AAAAAAAAhB0/QfouupSGlRE/s1600/fabio+zanon.jpg" imageanchor="1" style="background-color: black; font-family: 'Times New Roman'; margin-left: 1em; margin-right: 1em; text-align: center;"&gt;&lt;span style="color: white;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-xWDesXabe8k/TyZd1rvn37I/AAAAAAAAhB0/QfouupSGlRE/s1600/fabio+zanon.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="justify" class="titlesection style28 style29 style31" style="font-family: Verdana, Tahoma, Arial;"&gt;&lt;/div&gt;&lt;div align="justify" class="titlesection style28 style29 style31" style="font-family: Verdana, Tahoma, Arial;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="titlesection style28 style29 style31"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Fabio&lt;/span&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt; Zanon is recognized as one the most all-embracing talents in the international guitar scene.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="titlesection style28 style29 style31"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;His command of a vast repertoire that includes all the major works written for the guitar, more than 30 concertos and the championing of new works written expressly for him have set new standards of interpretation and contributed to change the perception of the guitar in the classical music scene.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="222" src="http://www.youtube.com/embed/j01VPtfRysA" width="230"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div align="justify" class="textcontent"&gt;&lt;span class="verdana12" style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Fabio Zanon's investigative and learned approach has opened up many possibilities for the guitar repertoire, both as a solo and as a chamber instrument. In the past few years every season has seen him première solo and orchestral contemporary works (most recently Faria's&amp;nbsp;&lt;em&gt;Guitar Concerto no.2,&amp;nbsp;&lt;/em&gt;Jan van der Roost's&amp;nbsp;&lt;em&gt;Concierto de Homenaje&lt;/em&gt;&amp;nbsp;and Stephen Kenyon´s&amp;nbsp;&lt;em&gt;Guitar Concerto no.1)&lt;/em&gt;, unearth forgotten masterpieces from the past as well as perform the standards of the repertoire for new audiences.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="textcontent"&gt;&lt;span class="verdana12" style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="textcontent"&gt;&lt;span class="verdana12" style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Recent activity in the studio include his benchmark transcriptions of Scarlatti, the&amp;nbsp;&lt;em&gt;12 Studies&lt;/em&gt;&amp;nbsp;by Francisco Mignone along with Camargo Guarnieri´s guitar works, Van der Roost´s&amp;nbsp;&lt;em&gt;Concerto&lt;/em&gt;&amp;nbsp;with I Fiamminghi Chamber orchestra and the soundtracks written by Luís Bacalov for films like&amp;nbsp;&lt;em&gt;Les Enfants du Siècle&amp;nbsp;&lt;/em&gt;and&amp;nbsp;&lt;em&gt;Woman on Top&lt;/em&gt;. He has also played chamber music in some unusual combinations, most frequently with the collaboration of flautist Marcelo Barboza, with whom he has recorded two CDs, and cellist Antonio Meneses (from the Trio Beaux Arts).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="textcontent"&gt;&lt;span class="verdana12" style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;He has also produced a series of 26 programmes for Radio Cultura in Brazil ,&amp;nbsp;&lt;em&gt;The Art of the Guitar&lt;/em&gt;, which has helped to create new audiences for his instrument. His editions of early and contemporary music,&amp;nbsp;&lt;em&gt;Fabio Zanon Collection,&amp;nbsp;&lt;/em&gt;are currently being published by Mel Bay .&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Although not greatly drawn to competitions, he came to international prominence in 1996 when he was the first prize winner of two of the most prestigious ones the 30 th&amp;nbsp;&lt;em&gt;Francisco Tarrega&lt;/em&gt;&amp;nbsp;Prize in Spain and the 14 th&lt;em&gt;Guitar Foundation of America GFA&amp;nbsp;&lt;/em&gt;Guitar Competition in the USA in a space of a few weeks. These were followed by a succesful tour of 56 concerts in the USA and Canada and by the launching of his first three CDs.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Fabio Zanon recording of Villa-Lobos guitar works was hailed as a landmark and his debut recital CD on Naxos was chosen best CD of 98 by the guitar critic of Gramophone magazine. In the same year he played his debut with a major orchestra, when he stepped in at short notice for a performance of Piazzolla`s&amp;nbsp;&lt;em&gt;Concerto for Guitar and Bandoneon&lt;/em&gt;&amp;nbsp;with the London Philharmonic. Since then he has been invited to play at venues like the Royal Festival Hall and Wigmore Hall in London , Musikhalle in Hamburg , Carnegie Recital Hall in New York , Verdi Hall in Milan and the São Paulo Hall and Rio Opera House in Brazil , and he has toured most European countries and returned regularly to North and South America . Last season brought him for the first time to Russia , with concerts at the Tchaikovsky Hall in Moscow and at the Philharmonie in St Petersburg , and a return to the London Philharmonic with Rodrigo's&amp;nbsp;&lt;em&gt;Concierto de Aranjuez.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Fabio Zanon was born in Brazil , where he had his formal music training, first with his father and later with Antonio Guedes, Henrique Pinto and Edelton Gloeden. He gave his first concert at the age of 16 and his debut as an orchestral soloist happened two years later, but he only decided to concentrate on guitar performance after completing his education at the University of São Paulo , where he also studied composition and conducting.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;By the age of 20 he had been a top prize winner at a few international competitions but still decided to carry on with his studies with Michael Lewin at the Royal Academy of Music in London , where he also attended Julian Bream s masterclasses and obtained a Masters degree from the University of London . He returned to the stage in 1995 with a concert at the Wigmore Hall in London .&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Amongst the many awards Fabio Zanon has received one should mention the&amp;nbsp;&lt;em&gt;Moinho Santista Prize&lt;/em&gt;, the major artistic and scientific award in Brazil (which had never been awarded to an instrumental performer before), in recognition to the major role he has played in the development of Brazilian music. Past winners of this prize include architect Oscar Niemeyer and writer Jorge Amado.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;He is also an inspirational teacher; he has given masterclasses at many of the most prestigious institutions, including the Royal Academy and Royal College of Music in London , the Gnessin School in Moscow , University of Vienna and at several music colleges in the USA , from New York to Los Angeles&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;When not on tour Fabio Zanon divides his time between residences in London and São Paulo.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;strong style="text-align: left;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Discography&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong&gt;Latin American Sonatas&lt;/strong&gt;Guastavino, Miranda, Ardévol, Ginastera, Fernandez, Fariñas EGTA, 1997&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong&gt;Heitor Villa-Lobos The Complete Solo Guitar Works&lt;/strong&gt;Music Masters, 1997&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong&gt;Guitar Recital&lt;/strong&gt;Tarrega, Bach, Faria, Mertz, Ponce Naxos, 1998&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong&gt;Les Enfants du Siècle Soundtrack&lt;/strong&gt;by Luís Bacalov Decca, 2000&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong&gt;Tangos and Choros&lt;/strong&gt;,&lt;br /&gt;with Marcelo Barboza, flute&lt;br /&gt;Piazzolla, Gnatalli, Villa-Lobos, Pujol, Côrtes Meridian, 2002&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong&gt;Domenico Scarlatti Sonatas&lt;/strong&gt;Musical Heritage (to be released)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong&gt;Jan van der Roost Trumpet and Guitar Concertos,&lt;/strong&gt;with I Fiamminghi chamber Orchestra conducted by Rudolf Werten Phaedra Records&amp;nbsp;(to be released 2003)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong&gt;Mountain Songs&lt;/strong&gt;,&lt;br /&gt;with Marcelo Barboza, flute&lt;br /&gt;Beaser, Castelnuovo-Tedesco, Haug, Moyse Meridian&lt;br /&gt;(to be released)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;strong style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Video&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong&gt;Fabio Zanon - Classical Guitar Recital&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;Mertz, Bach, Miranda, Faria, Scarlatti, Fernandez Mel Bay, 1998&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Further info:&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Fabio Zanon is exclusively managed in the UK by Nigel Grant-Rogers Artists:&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="verdana12"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Source:&amp;nbsp;&lt;a href="http://www.brazilianartists.net/profiles/fabiozanon/index.php"&gt;http://www.brazilianartists.net/profiles/fabiozanon/index.php&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-361380346293154107?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/361380346293154107/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=361380346293154107&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/361380346293154107'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/361380346293154107'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/fabio-zanon.html' title='FABIO ZANON'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-xWDesXabe8k/TyZd1rvn37I/AAAAAAAAhB0/QfouupSGlRE/s72-c/fabio+zanon.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-5942866618319990566</id><published>2012-01-30T00:41:00.000-08:00</published><updated>2012-01-30T00:41:09.241-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Opniao'/><title type='text'>No Pinheirinho, o Brasil das trevas</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-5_fRhcGP_SY/TyZWA4WhOWI/AAAAAAAAhBU/ICELONYwDIc/s1600/Pinheirinho1-300x204.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="font-size: xx-small;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-5_fRhcGP_SY/TyZWA4WhOWI/AAAAAAAAhBU/ICELONYwDIc/s1600/Pinheirinho1-300x204.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 12px;"&gt;&lt;span style="font-size: xx-small;"&gt;Moradores do Pinheirinho sentiram a mão pesada da polícia paulista. Foto: Reuters/Latinstock&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Uma pergunta perturbadora. Pode ser considerado civilizado um país cuja Justiça determina, sem qualquer motivo de urgência e com emprego de tropa de choque da Polícia Militar, a expulsão violenta dos seus lares de 1,5 mil famílias pobres, com apreensão de todos os seus pertences e uso da tática militar da surpresa e a agravante de não lhes ser ofertado um teto substitutivo de abrigo?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;A resposta, por evidente, é negativa. Com efeito, o fato aconteceu no domingo 22, por força de mandado judicial expedido nos autos de uma ação de reintegração de posse em Pinheirinho, na cidade paulista de São José dos Campos, uma área com 1,3 milhão de metros quadrados e cerca de 6 mil moradores, todos sem títulos de propriedade e cuja ocupação daquele espaço remonta a 2004.&lt;br /&gt;A decisão de reintegração foi da juíza da 6ª Vara da Comarca que, num Brasil com direito de matriz romana, se esqueceu de uma velha lição da lavra do jurista e político Giuvenzius Celso Figlio e encartada no Digesto: Jus est ars boni et aequis (o Direito é a arte do bom e do equitativo).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Leia mais:&lt;a href="http://www.cartacapital.com.br/sociedade/sociedade/pm-paulista-compromisso-com-o-cidadao-ou-nao/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;&lt;br /&gt;PM paulista defende ação no Pinheirinho através de e-mail ‘para amigos’&lt;/a&gt;&lt;a href="http://www.cartacapital.com.br/sociedade/sociedade/ministerio-das-cidades-reforca-recusa-de-prefeitura-em-negociar/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;Ministério das Cidades reforça recusa de prefeitura em negociar com moradores&lt;/a&gt;&lt;a href="http://www.cartacapital.com.br/sociedade/sociedade/assim-na-africa-assim-no-pinheirinho/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;Pedro Serrano: Assim na África, assim no Pinheirinho&lt;/a&gt;&lt;a href="http://www.cartacapital.com.br/sociedade/sociedade/liguei-para-o-190-com-medo-da-policia/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;‘Não deu tempo de pegar nada’, conta moradora de assentamento&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Fora isso, a decisão foi precipitada. Os canais conciliatórios estavam abertos e soluções alternativas justas poderiam ser alcançadas, como, por exemplo, a desapropriação por utilidade social. No particular, havia, além de um protocolo de intenções a tramitar no Ministério das Cidades, um acordo de adiamento da reintegração com prazo de vigência em curso.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Mais ainda, no âmbito&lt;/strong&gt;&amp;nbsp;jurisdicional existia um conflito de competência entre a Justiça estadual, que determinara a reintegração, e a federal, com liminar a suspender a desocupação. Esse conflito só foi resolvido, em sede liminar, pelo presidente do Superior Tribunal de Justiça (STJ) e quando a tropa de choque da PM, com bombas e projéteis de borracha, já desalojara mais de 2 mil moradores, com muitas mães, como mostraram as fotografias dos jornais, a carregar os seus pequenos filhos. Esse conflito de jurisdição poderia ter sido motivador, pela Justiça paulista, de adiamento da reintegração. Por parte de Ari Pargendler, poderia esse presidente do STJ usar a sua conhecida arte amistosa de fazer lobby, demonstrada na tentativa de obter uma vaga de ministra para a cunhada, para suspender a reintegração e encaminhar a questão a exame colegiado do STJ. Não se deve olvidar, ainda, que um representante da presidenta Dilma Rousseff estava no Pinheirinho e procurava encontrar soluções definitivas. Em vez de um acordo, o representante federal experimentou lesões provocadas por balas de borracha disparadas pela PM.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Numa ação de reintegração de posse de área grande e com muitos ocupantes, a regra básica a orientar o juiz do processo é buscar, à exaustão, conciliações e evitar medidas traumáticas. A reintegração coercitiva só deve ocorrer excepcionalmente e não era o caso da executada no Pinheirinho. Essa grande e valiosa gleba-bairro, com casas de alvenaria, barracos, comércio e até biblioteca municipal, está registrada como de propriedade da Selecta Comércio e Indústria S.A. No momento, o Pinheirinho integra o acervo ativo da massa falida da empresa, cujo processo de falência se arrasta sem solução por mais de dez anos.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;A Selecta era uma holding controlada pelo megaespeculador Naji Nahas, que já quase quebrou a Bolsa de Valores do Rio de Janeiro e acabou indiciado, e preso cautelarmente, na Operação Satiagraha. Essa operação, frise-se, restou anulada em 2011 pelo STJ, sob o leguleio tabaréu de vedada participação, ainda que meramente burocrática e em apoio à repressão à criminalidade organizada por poderosos e potentes, de agentes da Agência Brasileira de Inteligência (Abin), lotados juntos ao Gabinete de Segurança Institucional da Presidência da República.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Nahas nunca foi condenado&lt;/strong&gt;&amp;nbsp;criminalmente pela Justiça e beneficiou-se do efeito ampliativo da liminar de soltura concedida pelo ministro Gilmar Mendes em favor do banqueiro Daniel Dantas. Na falência da Selecta não há notícia de crime falimentar e, no Brasil, esses delitos são quase sempre alcançados pela prescrição.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Numa falência, como estabelece a legislação, há previsão para devolução, pagos os credores, de sobras aos sócios e acionistas da empresa falida. Não se descarta isso, com a grande valorização do Pinheirinho. E não é incomum, quando a massa falida possui propriedades em valorização, antigos sócios, por laranjas, comprarem créditos, negociados barato em face da tramitação demorada da falência.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;O caso do Pinheirinho, pela iniquidade, faz lembrar Pierre Joseph Proudhon, célebre filósofo e revolucionário. Em 1840, ele publicou o seu primeiro ensaio político-econômico com uma pergunta na capa da obra: “O que é a propriedade?” Para Proudhon, ícone dos socialistas e contrário ao marxismo, “a propriedade é liberdade” e passa a ser condenável quando se torna “poder do homem sobre o homem”. Aí, ele conclui: “A propriedade é um furto”.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Fonte:&amp;nbsp;&lt;a href="http://www.cartacapital.com.br/sociedade/no-pinheirinho-o-brasil-das-trevas/"&gt;http://www.cartacapital.com.br/sociedade/no-pinheirinho-o-brasil-das-trevas/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-5942866618319990566?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/5942866618319990566/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=5942866618319990566&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/5942866618319990566'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/5942866618319990566'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/no-pinheirinho-o-brasil-das-trevas.html' title='No Pinheirinho, o Brasil das trevas'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-5_fRhcGP_SY/TyZWA4WhOWI/AAAAAAAAhBU/ICELONYwDIc/s72-c/Pinheirinho1-300x204.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-8890522485925813975</id><published>2012-01-29T16:41:00.000-08:00</published><updated>2012-01-29T16:43:22.099-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Inspiração pra tudo que eu Viver :)'/><title type='text'>Os ideais de José Martí</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-wcsWtDTA1OA/TyXm8bkbfnI/AAAAAAAAF5U/sszo3RDggZo/s1600/jose-marti.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-wcsWtDTA1OA/TyXm8bkbfnI/AAAAAAAAF5U/sszo3RDggZo/s1600/jose-marti.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;A história da América Latina éescrita com o sangue daqueles que ousaram lutar contra o domínio doscolonizadores. José Julián Martí Pérez&amp;nbsp;(1853-1895), mártir daindependência e criador do Partido Revolucionário Cubano (PRC), é um herói nãosó para a população deste pequeno país insular localizado no mar do Caribe.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Cruelmente assassinado pelosespanhóis, seus ideais de liberdade serviram de fonte de inspiração para arealização da Revolução Cubana, em 1959, e também servem como exemplo de luta para cada um denós americanos.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;El revolucionario depensamiento más descollante de nuestra América&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Cuando aquel 28 de enero de 1853vio la luz, en La Habana, José Martí y Pérez, no imaginaron sus padres queaquel niño ejercería influencias telúricas en los destinos de su pueblo y detodo el continente que él llamó, magistralmente, Nuestra América.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Porque Martí fue de esos hombresexcepcionales, solares y volcánicos, que - como él mismo dijo alguna vez -"deslumbran como el astro, sienten como sentirían las entrañas de laTierra los senos de los mares y la inmensidad continental".&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;El Apóstol resumió y representócomo nadie la herencia patriótica de sus antecesores y fue, al mismo tiempo,generador de nuevos y más altos escalones en el proceso de consolidación de lanación cubana.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Su pensamiento y su acciónsaltaron las fronteras de la tierra natal para expresar, con pasión yconvicción sin par, los más profundos y caros anhelos de la gran patrialatinoamericana.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Sin un ápice de chovinismo, puedeafirmarse que Martí es el revolucionario de pensamiento más descollante denuestra América y es un hombre infinitamente universal.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Eso se aprecia a lo largo de todasu obra, de toda su vida. Martí vio en la lucha de los humildes una constantede su tiempo, de la que habría de surgir, forzosamente, un mundo nuevo. Pudoadvertir que se nos venía encima, amasado por los trabajadores, un universonuevo.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;En sus crónicas y artículossignados en sus "Escenas norteamericanas" habla con evidenteadmiración de las asociaciones de obreros, de la revolución del trabajo, de lasgrandes huelgas. De Karl Marx diría que "como se puso del lado de losdébiles, merece honor". Y Martí lo calificó de "movedor titánico delas cóleras de los trabajadores europeos" y "veedor profundo en larazón de las miserias humanas, y en los destinos de los hombres, y hombrecomido del ansia de hacer bien".&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Como visionario, Martí asegurabaque "el trabajador se está cansando de llevar a cuestas el mundo y parecedecidido a sacudírselo de los hombros y buscar un modo de andar sin tantossudores por la vida".&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Martí, que hablaba con ternura delos obreros humildes, creía firmemente que sin la participación de lostrabajadores, de los elementos populares, no era posible la revolución ni enCuba ni en ninguna parte.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;La guerra justa y necesaria - comoél llamó a la insurrección armada que desató en 1895 - no fue solo para liberara Cuba y Puerto Rico. Como diría a su amigo mexicano Manuel Mercado, cuantohabía hecho y haría, era para "impedir a tiempo con la independencia deCuba que se extiendan por las Antillas los Estados Unidos y caigan, con esafuerza más, sobre nuestras tierras de América".&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Y por esa convicción previsora esque una y otra vez en sus discursos subraya que el cubano no puede cejar en launidad de pensamiento que, como esclareció, de ningún modo quiere decir laservidumbre de la opinión, y para ello concibe un programa político unitario yorganiza un solo Partido, como única vía que permita lograr esa fuerzaindisoluble en la lucha por la independencia y soberanía de la nación.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Independencia, soberanía,justicia social y unidad del pueblo para lograrlo. El mismo dilema y la mismaproblemática que tiene Cuba hoy frente a Estados Unidos; la misma necesidad, elmismo reto y, por eso, tenemos un solo Partido.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Aquel patriota de palabracautivadora, aquel luchador puro y sacrificado, que una noche lluviosadesembarcó con cinco compañeros más, en un botecito de remos, por los abruptosfarallones de la costa sur oriental, representa la decisión, la razón, la fe enel pueblo y la combatividad de los cubanos frente a sus poderosos enemigos entodas las épocas.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Por eso Martí está presente entodas nuestras luchas y esfuerzos de hoy; en las alegrías por las victorias ylos logros y en el quehacer cotidiano por hacer avanzar la Revolución en mediode tantas dificultades, guiados por Fidel, por Raúl y el Partido. Sus ideastuvieron tal fuerza y proyección que no solo animaron a los hombres de lageneración histórica, sino que se hallan a cada paso en la obra inmortal de laRevolución, de la que es Autor Intelectual.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;La vigencia de José Martí, enfin, no acabará jamás, ni en Cuba ni en ningún rincón de Latinoamérica. Su obracolosal y su ejemplo perdurarán eternamente.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;http://granmai.co.cu/espanol/cuba/28-enero-revolucionario.html&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-8890522485925813975?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/8890522485925813975/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=8890522485925813975&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/8890522485925813975'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/8890522485925813975'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/os-ideais-de-jose-marti.html' title='Os ideais de José Martí'/><author><name>Márcio Tavares</name><uri>http://www.blogger.com/profile/07464582139651123270</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/-hglH-QrDfIc/TyKZtKuazZI/AAAAAAAAF38/AcD4KoMap58/s220/M%25C3%25A1rcio.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-wcsWtDTA1OA/TyXm8bkbfnI/AAAAAAAAF5U/sszo3RDggZo/s72-c/jose-marti.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-2089658337270717967</id><published>2012-01-29T07:04:00.000-08:00</published><updated>2012-01-29T07:04:25.581-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Internacional'/><category scheme='http://www.blogger.com/atom/ns#' term='Esporte'/><title type='text'>Djokovic claims longest final</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-DXPhfYQn4Vg/TyVfvyS0zdI/AAAAAAAAhBE/zp6kD7ZjsYw/s1600/AUSTRALIA+OPEN+FINAL+2012.bmp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-DXPhfYQn4Vg/TyVfvyS0zdI/AAAAAAAAhBE/zp6kD7ZjsYw/s1600/AUSTRALIA+OPEN+FINAL+2012.bmp" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-XAPsZkHhsLM/TyVf32WUDmI/AAAAAAAAhBM/6fnG_6bjzGE/s1600/Aberto+da+Austr%C3%A1lia+2012+Final.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-XAPsZkHhsLM/TyVf32WUDmI/AAAAAAAAhBM/6fnG_6bjzGE/s320/Aberto+da+Austr%C3%A1lia+2012+Final.jpg" width="212" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 18px; text-align: left;"&gt;&lt;span style="font-size: xx-small;"&gt;Sunday, 29 January, 2012&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; line-height: 18px; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Novak Djokovic has won the longest Grand Slam final in history to defend the men's singles crown, downing Rafael Nadal 5-7, 6-4, 6-2, 7-5.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;The Serbian came from 4-2 down in the fifth set to win in 5h 53min to defeat the Spaniard for the third straight Grand Slam final.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;It takes his Grand Slam tally to five and marks the first time he has defended a Grand Slam title.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Source:&amp;nbsp;&lt;a href="http://www.australianopen.com/en_AU/news/articles/2012-01-29/201201291327841786232.html"&gt;http://www.australianopen.com/en_AU/news/articles/2012-01-29/201201291327841786232.html&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-2089658337270717967?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/2089658337270717967/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=2089658337270717967&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/2089658337270717967'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/2089658337270717967'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/djokovic-claims-longest-final.html' title='Djokovic claims longest final'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-DXPhfYQn4Vg/TyVfvyS0zdI/AAAAAAAAhBE/zp6kD7ZjsYw/s72-c/AUSTRALIA+OPEN+FINAL+2012.bmp' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-2969715509252385953</id><published>2012-01-29T06:52:00.000-08:00</published><updated>2012-01-29T06:52:32.196-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Internacional'/><category scheme='http://www.blogger.com/atom/ns#' term='Saúde'/><category scheme='http://www.blogger.com/atom/ns#' term='Esporte'/><category scheme='http://www.blogger.com/atom/ns#' term='Educação'/><title type='text'>Australian Open 2012</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Kbk99EjLfCU/TyVc7p5IiFI/AAAAAAAAhA8/urdINfK3YrU/s1600/Australian+Open+2012+Top+10+Matches.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="212" src="http://4.bp.blogspot.com/-Kbk99EjLfCU/TyVc7p5IiFI/AAAAAAAAhA8/urdINfK3YrU/s320/Australian+Open+2012+Top+10+Matches.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="font-size: xx-small;"&gt;&lt;span style="line-height: 18px; text-align: left;"&gt;Sunday, 29 January, 2012&lt;/span&gt;&lt;br style="line-height: 18px; text-align: left;" /&gt;&lt;span style="line-height: 18px; text-align: left;"&gt;By Suzi Petkovski&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;The final throwdown is here. As Novak Djokovic and Rafael Nadal - aka Djodal - prepare to battle in a third straight Slam decider in Rod Laver Arena tonight, let’s rewind the marquee matches of the past fortnight. In chronological order, we’ve cherry-picked this top 10 of AO2012.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1.&amp;nbsp;&lt;strong&gt;Bernard Tomic d. (22) Fernando Verdasco 4-6, 6-7, 6-4, 6-2, 7-5, first round.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;The talent of the Aussie young gun has never been in question; in this hot opening round, Tomic displayed new-found grit as well.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2.&amp;nbsp;&lt;strong&gt;Bernard Tomic d (13) Alexandr Dolgopolov 4-6, 7-6, 7-6, 2-6, 6-3, third round.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Touch artist Tomic versus circus act Dolgo was ridiculous fun: slice-and-dice rallies, teasing drop shot-lob combinations, wrong-footing winners, and the little guy, Dolgo, bombing his serve. If this is the future of men’s tennis, we give it a resounding ‘Like’.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;3.&amp;nbsp;&lt;strong&gt;(11) Kim Clijsters d. (5) Li Na 4-6, 7-6, 6-4, fourth round.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Replay of the 2011 final; same winner, but a lot more drama. Clijsters went over on her left ankle in the first set and fell behind 3-1 in the second. But extravagant errors from Li kept the defending champion in the contest. In the match-swinging tiebreak, Clijsters saved four matchpoints from 2-6, the last with a risky drop shot-lob combination.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;4.&amp;nbsp;&lt;strong&gt;(1) Novak Djokovic d. Lleyton Hewitt 6-1, 6-3, 4-6, 6-3, fourth round&lt;/strong&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Lleyton’s last stand? The former No.1 was again the last Aussie standing. The aging warrior showed all his famous fight to take the third set when all seemed lost at 3-0 down. Retrieving one shot, Hewitt literally ended up flat on his face. If it was his last AO, Hewitt went out in style.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;5.&amp;nbsp;&lt;strong&gt;(11) Kim Clijsters d (1) Caroline Wozniacki, 6-3, 7-6, quarterfinal.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Despite an iffy ankle, Clijsters monstered the No.1 seed with big hitting, charging to 6-3, 5-2. The Wozniacki forehand in particular was sitting up for the speedier, more explosive Clijsters to slam for winners. Caro had to hope for mistakes; she was gifted a few but not enough to turn the match, or hold onto her No.1 ranking.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;6.&amp;nbsp;&lt;strong&gt;(2) Rafael Nadal d. (7) Tomas Berdych&amp;nbsp; 6-7, 7-6, 6-4, 6-3, quarterfinal&lt;/strong&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;The big-hitting Czech dominated early over an agitated Nadal. But he didn’t convert on the scoreboard, missing a crucial volley that would have put him two sets up. Rafa willed himself to victory, and finished full of running to face Federer in the semifinals.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;7.&amp;nbsp;&lt;strong&gt;(3) Victoria Azarenka d. (11) Kim Clijsters 6-4, 1-6, 6-3, semifinal.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Clijsters threatened to rip the match from her younger opponent with a burst of deadly hitting in the second set that extended to a breakpoint in the first game of the third. Azarenka kept her cool to go on the attack in the decider after Clijsters twice retrieved breaks of serve.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;8.&amp;nbsp;&lt;strong&gt;(4) Maria Sharapova d. (2) Petra Kvitova 6-2, 3-6, 6-4, semifinal.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Reversal of the Wimbledon final. The Czech lefty possesses all the flair and fluent power but Maria’s steeliness came to the fore at 4-all and 0-30 down in the third. But for a successful challenge, the Russian would have been 0-40 down. Instead, it was Kvitova who unravelled while Maria won eight of the next nine points to enter her third Australian final.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;9.&amp;nbsp;&lt;strong&gt;(2) Rafael Nadal d (3) Roger Federer 6-7, 6-2, 7-6, 6-4, semifinal.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;The storied rivals served up their 10&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;grand slam meeting, their first in a semifinal since Paris 2005. Federer blazed to a 3-0 start, and led by a set and a break before Nadal swung the match with unbelievable winners and gets from extreme defence. Rafa extends his dominance to 8-2 in majors.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;10.&amp;nbsp;&lt;strong&gt;(1) Novak Djokovic d. (4) Andy Murray 6-3, 3-6, 6-7, 6-1, 7-5, semifinal.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;The 2011 finalists went at each other like wood-cutters for four hours 50 minutes. Murray won the brutal, 88-minute third set after braving three set points. He slumped in the fourth, and Djokovic powered away to 5-2 in the fifth. The Scot landed some telling forehands to threaten at 5-all and 40-15 on the Djokovic serve before the Serb brazened out the game with bold hitting and broke Murray for one of his toughest wins in a major.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;&lt;b&gt;Source:&amp;nbsp;&lt;/b&gt;&lt;a href="http://www.australianopen.com/en_AU/news/articles/2012-01-29/201201291327814608763.html"&gt;http://www.australianopen.com/en_AU/news/articles/2012-01-29/201201291327814608763.html&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-2969715509252385953?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/2969715509252385953/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=2969715509252385953&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/2969715509252385953'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/2969715509252385953'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/australian-open-2012.html' title='Australian Open 2012'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Kbk99EjLfCU/TyVc7p5IiFI/AAAAAAAAhA8/urdINfK3YrU/s72-c/Australian+Open+2012+Top+10+Matches.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-1586008109131087757</id><published>2012-01-28T00:47:00.000-08:00</published><updated>2012-01-28T00:47:43.086-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Arte'/><category scheme='http://www.blogger.com/atom/ns#' term='Mundo Arabe'/><title type='text'>Morte da Poeta da «Poesia Livre» em Árabe</title><content type='html'>&lt;br /&gt;&lt;div class="post-body" style="line-height: 1.6em; margin-bottom: 0.75em; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-yDJOnTlNv0k/TyO2AK9gCzI/AAAAAAAAhAc/GEkWYEp_ER8/s1600/NAZIK+AL-MALAIKA.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-yDJOnTlNv0k/TyO2AK9gCzI/AAAAAAAAhAc/GEkWYEp_ER8/s1600/NAZIK+AL-MALAIKA.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0.75em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;NAZIK AL-MALAIKA&lt;br /&gt;&lt;br /&gt;&lt;em&gt;"Súplicas, salmos, ex-votos brindámos nessa hora&lt;br /&gt;Pão, vinho e tâmaras da Babel embriagante&lt;br /&gt;E de rosa o encanto&lt;br /&gt;Logo aos teus olhos orando, oferenda imolámos&lt;br /&gt;Da lágrima ardente em dilúvio as gotas juntámos –&lt;br /&gt;Um rosário de pranto." – Cânticos à Dor, de Nazik Al-Malaika&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Aos 84 anos, morreu Nazik Al-Malaika, uma das mais solitárias vozes poéticas iraquianas e do conjunto da literatura árabe. No Cairo, a 20 de Junho de 2007.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0.75em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;Desta poetisa, nascida em Bagdade em 1923, a poesia tomou o rumo dos caminhos da introspecção ontológica, levando o pessimismo poético quase ao limite de uma linguagem filosoficamente estóica, de suporte de uma dor intensa, mas também intensamente lírica.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0.75em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;Nazik era a poetisa da tragédia da vida. No entanto, quando publicou a sua primeira antologia há mais de 50 anos, ao utilizar o vocábulo "noite", tornou-o símbolo de poesia, imaginação, sonho, beleza das estrelas, do prodígio do luar sobre o bruxuleante Tigre.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0.75em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;Nazil Al-Malaika representou uma nova tendência como poeta, expressando-a, defendendo-a e auto-analisando-a firme e solitariamente, como pioneira, fosse na crítica literária, na arte poética ou mesmo na sua condição de Mulher, num mundo eminentemente masculino, de supremacia do género.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0.75em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;Por esta razão, podemos afirmar que a sua obra influenciou gerações de poetas. Outros poetas do Iraque, a maioria vivendo no exílio – diz-se que na década de 90 ficaram apenas cinco a residir no país – contudo escrevem uma poesia que caracterizou o estilo poético iraquiano, o qual é classificado desde o tradicional ao moderno, passando pelos limites do experimental, com temas que cobrem territórios comunicacionais como o amor, a guerra, as antigas sanções da ONU, o fascismo, a tortura, a prisão, o exílio, etc. E agora a orfandade da sua Poeta maior, Nazil Al-Malaika, que publicou a última obra em 1997 no Cairo, um conjunto de relatos em que fala do Sol abaixo do seu próprio apogeu. Uma premonição para o estado a que chegou a sua terra, outrora fértil e agora devastada.&lt;/span&gt;&lt;/span&gt;&lt;div style="clear: both; line-height: 1.6em; margin-bottom: 0.75em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0.25em;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="post-footer" style="margin-top: -0.25em; text-align: left;"&gt;&lt;em style="background-color: black; font-style: normal; font: normal normal normal 78%/1.4em 'Trebuchet MS', Trebuchet, Arial, Verdana, sans-serif; letter-spacing: 0.1em; margin-right: 0.6em; text-transform: uppercase;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: small;"&gt;POSTED BY J.T.PARREIRA&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div class="post-footer" style="margin-top: -0.25em; text-align: left;"&gt;&lt;em style="background-color: black; font-style: normal; font: normal normal normal 78%/1.4em 'Trebuchet MS', Trebuchet, Arial, Verdana, sans-serif; letter-spacing: 0.1em; margin-right: 0.6em; text-transform: uppercase;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div class="post-footer" style="margin-top: -0.25em; text-align: left;"&gt;&lt;em style="font-style: normal; font: normal normal normal 78%/1.4em 'Trebuchet MS', Trebuchet, Arial, Verdana, sans-serif; letter-spacing: 0.1em; margin-right: 0.6em; text-transform: uppercase;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Fonte:&amp;nbsp;&lt;a href="http://poetasalutor.blogspot.com/"&gt;http://poetasalutor.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-1586008109131087757?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/1586008109131087757/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=1586008109131087757&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/1586008109131087757'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/1586008109131087757'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/morte-da-poeta-da-poesia-livre-em-arabe.html' title='Morte da Poeta da «Poesia Livre» em Árabe'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-yDJOnTlNv0k/TyO2AK9gCzI/AAAAAAAAhAc/GEkWYEp_ER8/s72-c/NAZIK+AL-MALAIKA.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-2371346713008824035</id><published>2012-01-28T00:30:00.000-08:00</published><updated>2012-01-28T00:33:44.675-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Arte'/><category scheme='http://www.blogger.com/atom/ns#' term='Cultura'/><category scheme='http://www.blogger.com/atom/ns#' term='Mundo Arabe'/><title type='text'>Palco árabe em São Paulo</title><content type='html'>&lt;br /&gt;&lt;div id="subtitulo" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 12px; margin-bottom: 15px; margin-left: 0px; margin-right: 0px; margin-top: 15px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-gQNRCWf6CNc/TyOx5a13n0I/AAAAAAAAhAI/iP3klySpsiQ/s1600/Vera+Camila+e+Petrin+drama+no+palco.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-gQNRCWf6CNc/TyOx5a13n0I/AAAAAAAAhAI/iP3klySpsiQ/s1600/Vera+Camila+e+Petrin+drama+no+palco.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 14px; text-align: -webkit-auto;"&gt;Vera, Camila e Petrin: drama no palco&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.3em; margin-bottom: 5px; margin-top: 5px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.3em; margin-bottom: 5px; margin-top: 5px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Peça sobre guerras no Iraque entra em cartaz na capital paulista. A atriz Vera Holtz precisou até aprender um pouco de árabe para interpretar sua personagem.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span class="float clear" id="assinatura" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; clear: both; float: left; margin-bottom: 4px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;strong style="background-color: black; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Marcos Carrieri&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span class="float clear" id="assinaturaemail" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; clear: both; float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;a class="float clear" href="mailto:marcos.carrieri@anba.com.br" id="assinaturaemail" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; clear: both; float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;marcos.carrieri@anba.com.br&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;div id="texto" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 11px; margin-top: 70px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;div class="texto_materia" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.3em; margin-bottom: 31px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 4px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;São Paulo – A atriz Vera Holtz já foi vilã, mocinha e feirante na TV e até uma mulher em busca de ascensão social na peça “Pérola” (1995), mas pela primeira vez ela interpreta uma personagem árabe, no espetáculo “Palácio do Fim”, que passou pelo Rio de Janeiro e agora está em cartaz em São Paulo. A atriz precisou até aprender algumas palavras árabes para dar vida a uma opositora de Saddam Hussein neste drama que tem também Camila Morgado e Antonio Petrin.&lt;br /&gt;&lt;br /&gt;Escrita pela canadense Judith Thompson, a peça é dividida em três monólogos e retrata o drama de três personagens durante os conflitos no Iraque. Camila Morgado interpreta a soldado norte-americana Lynndie England. Fotos em que ela leva pela coleira detentos na prisão de Abu Ghraib circularam o mundo em 2003. Neste monólogo, a personagem reflete as imagens que mostraram ao mundo a realidade das prisões iraquianas.&lt;br /&gt;&lt;br /&gt;Antonio Petrin retrata o drama do inspetor de armas inglês David Kelly, que revelou à rede britânica&amp;nbsp;&lt;i&gt;BBC&lt;/i&gt;&amp;nbsp;que não existiam armas de destruição em massa no Iraque, motivo que os Estados Unidos e o Reino Unido usaram para invadir o país em março de 2003. Durante sua passagem pelo palco, Petrin revela as angústias do cientista pouco antes de ele ser encontrado morto no bosque perto da sua casa, na Inglaterra.&lt;br /&gt;&lt;br /&gt;A personagem de Vera Holtz é a integrante do Partido Comunista iraquiano Nehrjas Al Saffarh. A interpretação de Vera é atemporal, pois sua personagem morreu em um bombardeio na Guerra do Golfo, em 1993. Depois da sua morte, ela revela os horrores que viveu sob o regime de Hussein e os sofrimentos por que passou: um deles, a tortura do filho de oito anos no Palácio do Fim, que era, na verdade, a câmara de tortura dos opositores do regime.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="texto_materia" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.3em; margin-bottom: 31px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 4px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;div class="texto_materia" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.3em; margin-bottom: 31px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 4px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Durante sua apresentação, Vera fala palavras em árabe, mas não muitas. “Senão as pessoas perdem o foco no espetáculo, pois não conhecem o idioma”, diz. Ela também recita um poema da iraquiana Nazik Al Malaika, morta em 2007. Além de pesquisar sobre a história e a realidade dos países árabes na internet, Vera teve encontros com amigas que lhe ensinaram o idioma.&lt;br /&gt;&lt;br /&gt;“Me encontrei com as donas do restaurante Tenda do Nilo, no Paraíso, que durante uma tarde inteira me ensinaram algumas palavras, falaram da cultura, da culinária. Depois, uma amiga da [Organização Não Governamental] Médicos Sem Fronteiras, que vive viajando pelos países da África, me falou sobre a poesia árabe”, diz Vera.&lt;br /&gt;&lt;br /&gt;Vera teve quatro semanas para estudar o idioma. “Estudei até em alguns livros, mas confesso que eram os infantis”, diz. Ela aprendeu a escrever algumas letras e até decorou poemas de Nazik Al Malaika. “É um idioma lindo e muito rico. Mas tem uma acentuação muito diferente.”&lt;br /&gt;&lt;br /&gt;A ideia de adaptar “Palácio do Fim” para o português é do diretor da peça, José Wilker. Ele ficou surpreso com o texto quando assistiu ao espetáculo há três anos, em Nova York. Vera demorou cerca de um ano para aceitar o papel. “O Zé [Wilker] se impressionou de ver como a autora retrata um tema tão cruel com tanta poesia. Eu, no entanto, não conseguia nem ler a tortura de um filho, porque sou uma pessoa absolutamente alegre”, diz.&lt;br /&gt;&lt;br /&gt;Ela se convenceu a participar do elenco porque, segundo Vera, Wilker tinha uma única atriz em mente para este papel quando adaptou o espetáculo: ela. “O Zé disse que comprou a peça pensando em mim. Eu li, reli. A personagem me pegou e comecei até a sentir ciúmes dela”, revela a atriz.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Serviço&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;“Palácio do Fim”. De 20/01 a 11/03. Sexta-feira e sábado, às 21 horas e, domingo, às 18 horas, no Teatro Anchieta, Sesc Consolação, Rua Dr. Vila Nova, 245, Consolação. Duração: 90 minutos.&lt;br /&gt;&lt;br /&gt;Ingressos: R$ 32, R$ 16 (usuários matriculados no Sesc e dependentes, maiores de 60 anos, professores da rede pública e estudantes) e R$ 8 (trabalhador do comércio e serviços e dependentes matriculados no Sesc).&lt;br /&gt;&lt;br /&gt;Informações no telefone (11) 3234-3000.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div id="texto-funcoes" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; height: 27px; line-height: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;ul style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; list-style-image: initial; list-style-position: initial; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Fonte:&amp;nbsp;&lt;a href="http://www.anba.com.br/noticia_orientese.kmf?cod=12974884"&gt;http://www.anba.com.br/noticia_orientese.kmf?cod=12974884&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/ul&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Biografia Vera Lúcia Holtz (Tatuí SP 1952). Atriz. Intérprete versátil, com trânsito tanto em montagens convencionais quanto nas experiências de vanguarda, nas quais imprime sua vigorosa presença.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Após cursar a Escola de Arte Dramática (EAD), e a Escola de Teatro da Uni-Rio, além de outros cursos, Vera estreia profissionalmente em Rasga Coração, de Oduvaldo Vianna Filho, com direção de José Renato, em 1979. Dois anos após, integra o Grupo TAPA, ainda na fase carioca, com o qual realiza diversos espetáculos: O Anel e a Rosa, de Thakaray, 1981; Tempo Quente na Floresta Azul, de Orígenes Lessa, em 1983, e Caiu o Ministério, de França Jr., em 1985, encenações de Eduardo Tolentino de Araújo.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Em 1981, está em Na Terra do Pau Brasil, Nem Tudo Caminha, Viu?, ao lado de Ary Fontoura, exercitando sua face de comediante. No ano seguinte, apresenta-se no vaudeville E Agora, Hermínia, de Maugnier, direção de Bibi Ferreira. Nova oportunidade de comédia surge em 1983, com O Dia em Que Alfredo Virou a Mão, de João Bethencourt. Mesmo ano em que integra a produção Motivo Simples, de Celina Sodré. Diretora com quem volta aos palcos, em 1984, em Sem Sutiã, Uma Revista Feminina, também de Celina Sodré, em parceria com Fátima Valença.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Com muito destaque aparece, em 1985, em Theatro Musical Brazileiro - Partes I (1860/1914) e II (1914/1945), um roteiro de Luís Antônio Martinez Corrêa e Marshal Netherland sobre cenas e canções de peças do século passado. Em 1986, volta a trabalhar com o mesmo diretor em Mahagonny, de Bertolt Brecht, e integra um dos trabalhos mais radicais do encenador Gerald Thomas, Eletra Com Creta. Ópera Joyce, texto de Alcides Nogueira enfocando a vida e a obra do escritor irlandês a tem como estrela, sob a direção de Marcio Aurelio, em 1988, mesmo ano em que integra a equipe de Qualquer Nota, roteiro de Stella Miranda e Flávio Marinho, direção de Flávio Marinho. De volta ao formato musical, integra o elenco de Lamartine para Inglês Ver, roteiro e direção de Antônio de Bonis, em 1989. Atua em Amor Com Amor Se Paga, de França Jr., direção de Amir Haddad, em 1990. No ano seguinte, com Os Fodidos Privilegiados, sob a direção de Antônio Abujamra, destaca-se, mais uma vez, em Um Certo Hamlet, ganhando Prêmio Shell de melhor atriz. No mesmo ano, protagoniza uma controvertida versão de Phaedra, de Jean Racine, novo espetáculo da companhia de Antônio Abujamra, assim como a realização seguinte do diretor, O Retrato de Gertrude Stein Quando Homem, de Alcides Nogueira, em 1992. Na sequência, participa da montagem de A Volta ao Lar, de Harold Pinter, direção de Luiz Arthur Nunes. Com o Bando de Teatro Olodum, numa montagem baiana, capitaneia a produção de Medeamaterial, encenação de Márcio Meirelles para o texto de Heiner Müller, em 1994. Com Pérola, texto e direção de Mauro Rasi, montado em 1995, arrebata os principais prêmios do Rio de Janeiro e São Paulo, num trabalho consagratório, que fica cinco anos em cartaz. Em 2001 volta aos palcos na montagem de Dias Felizes (Felizes Para Sempre), de Samuel Beckett, direção conjunta da dupla Adriano e Fernando Guimarães, com quem volta a trabalhar em 2002, em Não Ficamos Muito Tempo...Juntos, outra pesquisa sobre o universo de Beckett.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Vera Holtz atua assiduamente em novelas na TV Globo, tais como Que Rei Sou Eu, 1989; Vamp, 1991; Fera Ferida, 1993; O Fim do Mundo, 1996; A Muralha, 2000; Desejos de Mulher, 2002, e Mulheres Apaixonadas, 2003.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Numa análise do espetáculo Medeamaterial, o crítico Jefferson Del Rios observa: [...] Mas há o desempenho de Vera Holtz e a magia aparece. Inteiramente tomada pela personagem, criando com a voz e os gestos um clima de grandeza, ela instaura a força da tragédia grega. O que antes poderia ser mero efeito ou equívoco, atinge, finalmente, dimensões de cerimonial transcendente. Vera Holtz e os meninos atores e percussionistas do Olodum fazem a poesia do espetáculo".1&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Notas 1. RIOS, Jefferson del. Vera Holtz revela a magia de Medea. O Estado de S. Paulo, São Paulo, 05 nov. 1993. Caderno 2, p.&amp;nbsp;19.Fonte:&lt;a class="external free" href="http://www.itaucultural.org.br/aplicexternas/enciclopedia_teatro/index.cfm?fuseaction=personalidades_biografia&amp;amp;cd_verbete=291" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-image: url(data:image/png; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat no-repeat; padding-right: 13px; text-decoration: none;"&gt;http://www.itaucultural.org.br/aplicexternas/enciclopedia_teatro/index.cfm?fuseaction=personalidades_biografia&amp;amp;cd_verbete=291&lt;/a&gt;&amp;nbsp;Enciclopédia itaú Cultural teatro&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;Considerada uma da grades e renomadas atrizes brasilheiras como&amp;nbsp;&lt;a class="mw-redirect" href="http://pt.wikipedia.org/wiki/Fernanda_montenegro" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Fernanda montenegro"&gt;fernanda montenegro&lt;/a&gt;,&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Laura_Cardoso" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Laura Cardoso"&gt;Laura Cardoso&lt;/a&gt;,&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Eva_Wilma" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Eva Wilma"&gt;Eva Wilma&lt;/a&gt;,&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Irene_Ravache" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Irene Ravache"&gt;Irene Ravache&lt;/a&gt;,&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Gl%C3%B3ria_Pires" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Glória Pires"&gt;Glória Pires&lt;/a&gt;,&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Mar%C3%ADlia_P%C3%AAra" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Marília Pêra"&gt;Marília Pêra&lt;/a&gt;,&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Gl%C3%B3ria_Menezes" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Glória Menezes"&gt;Glória Menezes&lt;/a&gt;,&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Bianca_Rinaldi" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Bianca Rinaldi"&gt;Bianca Rinaldi&lt;/a&gt;,&amp;nbsp;&lt;a class="mw-redirect" href="http://pt.wikipedia.org/wiki/Tereza_Raquel" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Tereza Raquel"&gt;Tereza Raquel&lt;/a&gt;,&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Cl%C3%A1udia_Abreu" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Cláudia Abreu"&gt;Cláudia Abreu&lt;/a&gt;,&amp;nbsp;&lt;a class="mw-redirect" href="http://pt.wikipedia.org/wiki/Patr%C3%ADcia_Pilar" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Patrícia Pilar"&gt;Patrícia Pilar&lt;/a&gt;,&lt;a href="http://pt.wikipedia.org/wiki/Regina_Duarte" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Regina Duarte"&gt;Regina Duarte&lt;/a&gt;,&amp;nbsp;&lt;a class="mw-redirect" href="http://pt.wikipedia.org/wiki/Claudia_Ohana" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Claudia Ohana"&gt;Claudia Ohana&lt;/a&gt;,&amp;nbsp;&lt;a class="mw-redirect" href="http://pt.wikipedia.org/wiki/Debora_Bloch" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Debora Bloch"&gt;Debora Bloch&lt;/a&gt;,&amp;nbsp;&lt;a class="mw-redirect" href="http://pt.wikipedia.org/wiki/L%C3%ADlia_cabral" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Lília cabral"&gt;lília cabral&lt;/a&gt;,&amp;nbsp;&lt;a class="mw-redirect" href="http://pt.wikipedia.org/wiki/Fernanda_torres" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Fernanda torres"&gt;fernanda torres&lt;/a&gt;,&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Aracy_Balabanian" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Aracy Balabanian"&gt;Aracy Balabanian&lt;/a&gt;,&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Christiane_Torloni" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Christiane Torloni"&gt;Christiane Torloni&lt;/a&gt;, é várias outras.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;A primeira oportunidade profissional foi na&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Teatro" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Teatro"&gt;peça&lt;/a&gt;&amp;nbsp;&lt;i&gt;Rasga Coração&lt;/i&gt;, de&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Oduvaldo_Vianna_Filho" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Oduvaldo Vianna Filho"&gt;Vianinha&lt;/a&gt;. Em&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/1991" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="1991"&gt;1991&lt;/a&gt;&amp;nbsp;estreou no&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Cinema" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Cinema"&gt;cinema&lt;/a&gt;, no filme&amp;nbsp;&lt;i&gt;Assim na Tela como no Céu&lt;/i&gt;&amp;nbsp;e, em&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Teatro" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Teatro"&gt;teatro&lt;/a&gt;, alcançou notoriedade na peça&amp;nbsp;&lt;i&gt;Pérola&lt;/i&gt;&amp;nbsp;de&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Mauro_Rasi" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Mauro Rasi"&gt;Mauro Rasi&lt;/a&gt;. Em&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/2007" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="2007"&gt;2007&lt;/a&gt;, substituiu a atriz&lt;a href="http://pt.wikipedia.org/wiki/Joana_Fomm" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Joana Fomm"&gt;Joana Fomm&lt;/a&gt;&amp;nbsp;na&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Telenovela" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Telenovela"&gt;telenovela&lt;/a&gt;&amp;nbsp;&lt;i&gt;Paraíso Tropical&lt;/i&gt;, de&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Gilberto_Braga" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Gilberto Braga"&gt;Gilberto Braga&lt;/a&gt;&amp;nbsp;e&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Ricardo_Linhares" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Ricardo Linhares"&gt;Ricardo Linhares&lt;/a&gt;. Deu vida à vilã da novela das sete&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Tr%C3%AAs_Irm%C3%A3s" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Três Irmãs"&gt;Três Irmãs&lt;/a&gt;&amp;nbsp;de autoria de&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Ant%C3%B4nio_Calmon" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Antônio Calmon"&gt;Antônio Calmon&lt;/a&gt;, interpretando Violeta Áquila.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Retornou a TV no ano de&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/2010" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="2010"&gt;2010&lt;/a&gt;&amp;nbsp;como Candê na novela&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Passione" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Passione"&gt;Passione&lt;/a&gt;, de&amp;nbsp;&lt;a class="mw-redirect" href="http://pt.wikipedia.org/wiki/S%C3%ADlvio_de_Abreu" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Sílvio de Abreu"&gt;Sílvio de Abreu&lt;/a&gt;&amp;nbsp;onde interpretou brilhatemente Candê.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;&lt;/div&gt;&lt;h2 style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; border-bottom-color: rgb(170, 170, 170); border-bottom-style: solid; border-bottom-width: 1px; font-weight: normal; margin-bottom: 0.6em; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0.17em; padding-top: 0.5em; width: auto;"&gt;&lt;span class="mw-headline" id="Carreira" style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: small;"&gt;Carreira&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h3 style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; margin-bottom: 0.3em; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0.17em; padding-top: 0.5em; width: auto;"&gt;&lt;span class="editsection" style="float: right; font-weight: normal; margin-left: 5px;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: small;"&gt;[&lt;a href="http://pt.wikipedia.org/w/index.php?title=Vera_Holtz&amp;amp;action=edit&amp;amp;section=2" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Editar secção: Televisão"&gt;editar&lt;/a&gt;]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="mw-headline" id="Televis.C3.A3o" style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: small;"&gt;Televisão&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;&lt;ul style="list-style-type: square; margin-bottom: 0px; margin-left: 1.5em; margin-right: 0px; margin-top: 0.3em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1983 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Parab%C3%A9ns_pra_Voc%C3%AA_(miniss%C3%A9rie)" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Parabéns pra Você (minissérie)"&gt;Parabéns pra Você&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... vendedora&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1989 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Top_Model_(telenovela)" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Top Model (telenovela)"&gt;Top Model&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Irma Lamer&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1989 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Que_Rei_Sou_Eu%3F" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Que Rei Sou Eu?"&gt;Que Rei Sou Eu?&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Fanny&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1990 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Barriga_de_Aluguel_(telenovela)" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Barriga de Aluguel (telenovela)"&gt;Barriga de Aluguel&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Dos Anjos&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1990 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Desejo_(miniss%C3%A9rie)" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Desejo (minissérie)"&gt;Desejo&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Angélica&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1991 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Vamp_(telenovela)" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Vamp (telenovela)"&gt;Vamp&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Ms. Alice Penn Taylor&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1992 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/De_Corpo_e_Alma" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="De Corpo e Alma"&gt;De Corpo e Alma&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Simone Guedes&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1993 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Fera_Ferida" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Fera Ferida"&gt;Fera Ferida&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Querubina Praxedes de Menezes&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1995 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/A_Pr%C3%B3xima_V%C3%ADtima_(telenovela)" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="A Próxima Vítima (telenovela)"&gt;A Próxima Vítima&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Quitéria Quarta-Feira (Quitéria Bezerra)&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1996 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/O_Fim_do_Mundo" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="O Fim do Mundo"&gt;O Fim do Mundo&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Florisbela Mendonça&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1996 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Voc%C3%AA_Decide" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Você Decide"&gt;Você Decide&lt;/a&gt;&lt;/i&gt;,&amp;nbsp;&lt;i&gt;A Troca&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1997 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Por_Amor_(telenovela)" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Por Amor (telenovela)"&gt;Por Amor&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Sirléia Pereira&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1999 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Chiquinha_Gonzaga_(miniss%C3%A9rie)" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Chiquinha Gonzaga (minissérie)"&gt;Chiquinha Gonzaga&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Dona Ló&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2000 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Uga-Uga" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Uga-Uga"&gt;Uga-Uga&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Santa&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2000 -&amp;nbsp;&lt;i&gt;&lt;a class="mw-redirect" href="http://pt.wikipedia.org/wiki/A_Muralha_(2000)" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="A Muralha (2000)"&gt;A Muralha&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Mãe Cândida Olinto&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2001 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Presen%C3%A7a_de_Anita" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Presença de Anita"&gt;Presença de Anita&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Marta&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2002 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Desejos_de_Mulher" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Desejos de Mulher"&gt;Desejos de Mulher&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Bárbara Toledo&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2003 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Mulheres_Apaixonadas" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Mulheres Apaixonadas"&gt;Mulheres Apaixonadas&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Santana Gurgel&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2004 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Cabocla_(2004)" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Cabocla (2004)"&gt;Cabocla&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Generosa&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2005 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Bel%C3%ADssima" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Belíssima"&gt;Belíssima&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Ornela Sabattini&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2005 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Carga_Pesada" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Carga Pesada"&gt;Carga Pesada&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Catarina&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2006 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/O_Profeta_(2006)" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="O Profeta (2006)"&gt;O Profeta&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Ana&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2007 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Para%C3%ADso_Tropical" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Paraíso Tropical"&gt;Paraíso Tropical&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Marion Novaes&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2008 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Dilemas_de_Irene" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Dilemas de Irene"&gt;Dilemas de Irene&lt;/a&gt;&lt;/i&gt;&amp;nbsp;- Dona Célia&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2008 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Tr%C3%AAs_Irm%C3%A3s_(telenovela)" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Três Irmãs (telenovela)"&gt;Três Irmãs&lt;/a&gt;&lt;/i&gt;&amp;nbsp;.... Violeta Áquila&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2010 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Passione" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Passione"&gt;Passione&lt;/a&gt;&lt;/i&gt;&amp;nbsp;- Maria Candelária Lobato (Candê)&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h3 style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; margin-bottom: 0.3em; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0.17em; padding-top: 0.5em; width: auto;"&gt;&lt;span class="mw-headline" id="Cinema" style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;br /&gt;Cinema&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;&lt;ul style="list-style-type: square; margin-bottom: 0px; margin-left: 1.5em; margin-right: 0px; margin-top: 0.3em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1991 -&amp;nbsp;&lt;i&gt;Assim na Tela como no Céu&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1992 -&amp;nbsp;&lt;i&gt;Meu Nome é João&lt;/i&gt;&amp;nbsp;(curtametragem)&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1993 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Capitalismo_Selvagem" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Capitalismo Selvagem"&gt;Capitalismo Selvagem&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1993 -&amp;nbsp;&lt;i&gt;Diário Noturno&lt;/i&gt;&amp;nbsp;(curtametragem)&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1994 -&amp;nbsp;&lt;i&gt;Mil e Uma&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1995 -&amp;nbsp;&lt;i&gt;Vicente&lt;/i&gt;&amp;nbsp;(curtametragem)&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1995 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/O_Menino_Maluquinho" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="O Menino Maluquinho"&gt;O Menino Maluquinho&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1995 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Carlota_Joaquina,_Princesa_do_Brazil" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Carlota Joaquina, Princesa do Brazil"&gt;Carlota Joaquina, Princesa do Brazil&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1996 -&amp;nbsp;&lt;i&gt;Nos Tempos do Cinematógrapho&lt;/i&gt;&amp;nbsp;(curtametragem)&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2000 -&amp;nbsp;&lt;i&gt;Tônica Dominante&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2003 -&amp;nbsp;&lt;i&gt;&lt;a class="mw-redirect" href="http://pt.wikipedia.org/wiki/Apol%C3%B4nio_Brasil,_Campe%C3%A3o_da_Alegria" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Apolônio Brasil, Campeão da Alegria"&gt;Apolônio Brasil, Campeão da Alegria&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2005 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Bendito_Fruto" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Bendito Fruto"&gt;Bendito Fruto&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2006 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/Anjos_do_Sol" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="Anjos do Sol"&gt;Anjos do Sol&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;2006 -&amp;nbsp;&lt;i&gt;&lt;a href="http://pt.wikipedia.org/wiki/O_Cavaleiro_Didi_e_a_Princesa_Lili" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; text-decoration: none;" title="O Cavaleiro Didi e a Princesa Lili"&gt;O Cavaleiro Didi e a Princesa Lili&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;More about Vera&amp;nbsp;&lt;a href="http://www.imdb.com/name/nm0392670/"&gt;http://www.imdb.com/name/nm0392670/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="background-color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Fonte:&amp;nbsp;&lt;a href="http://pt.wikipedia.org/wiki/Vera_Holtz"&gt;http://pt.wikipedia.org/wiki/Vera_Holtz&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="texto_materia" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #505050; font-family: 'Trebuchet MS', Georgia, 'Times New Roman', Times, serif; font-size: 13px; line-height: 1.3em; margin-bottom: 31px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 4px; text-decoration: none; text-shadow: rgb(0, 0, 0) 0px 0px 0px; vertical-align: baseline;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-2371346713008824035?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/2371346713008824035/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=2371346713008824035&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/2371346713008824035'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/2371346713008824035'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/palco-arabe-em-sao-paulo.html' title='Palco árabe em São Paulo'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-gQNRCWf6CNc/TyOx5a13n0I/AAAAAAAAhAI/iP3klySpsiQ/s72-c/Vera+Camila+e+Petrin+drama+no+palco.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-266117285345005270</id><published>2012-01-27T15:46:00.000-08:00</published><updated>2012-01-27T15:58:56.684-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tecnologia Inovação'/><title type='text'>BMW reveals 2013 X6</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-M8Wl_J-kvFs/TyM3CrBoLSI/AAAAAAAAg_4/O5wLATheb0c/s1600/bmw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="210" src="http://1.bp.blogspot.com/-M8Wl_J-kvFs/TyM3CrBoLSI/AAAAAAAAg_4/O5wLATheb0c/s320/bmw.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;&lt;span style="text-align: left;"&gt;While the petrol lumps on offer remain the same, the big news about the new X6 is the X6 M50d, basically a diesel version of the X6 M, that’s powered by a 381bhp in-line six-cylinder oil burner.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-evKWl-ENNSs/TyM3HuacAbI/AAAAAAAAhAA/cbU-oWpY9So/s1600/bmw1.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;&lt;img border="0" height="210" src="http://1.bp.blogspot.com/-evKWl-ENNSs/TyM3HuacAbI/AAAAAAAAhAA/cbU-oWpY9So/s320/bmw1.jpg" width="320" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;&lt;span style="text-align: left;"&gt;The 2013 X6 range will debut at the Geneva motor show in March.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Diesel-powered X6 M50d will be the highlight when it debuts in Geneva&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; text-align: left;"&gt;&lt;br /&gt;Published: 16:27 January 26, 2012&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;The stilted monstrosity with which BMW managed to shock the better part of the motoring world has got an update. Munich has officially revealed the 2013 model year version of what it thinks is the world’s first SAV, or Sports Activity Vehicle, the X6.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;If you’re still struggling to spot the in the ‘new’ model, don’t worry. The changes, or rather updates, are subtle like the new larger kidney grilles, matte-finish surrounds for the fog lights that are now positioned higher and farther apart and LED adaptive headlights that come as an option instead of the standard Xenon units. LED taillights, together with a new range of exterior and interior colours as well as special 20in Y-spoke alloys complete the styling update.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;While the petrol lumps on offer remain the same, the big news about the new X6 is the X6 M50d that’s part of the new M-Performance series and powered by a 381bhp in-line six-cylinder oil burner. This triple-turbocharged powerhouse puts out 740Nm of torque and hurtles the behemoth from standstill to 100kph in just 5.3sec. The 2013 X6 range will debut at the Geneva motor show in March.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Source:&amp;nbsp;&lt;a href="http://gulfnews.com/life-style/motoring/news/bmw-reveals-2013-x6-1.971720"&gt;http://gulfnews.com/life-style/motoring/news/bmw-reveals-2013-x6-1.971720&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;/div&gt;&lt;h4 style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 8px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-transform: uppercase; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;MORE FROM MOTORING&lt;/span&gt;&lt;/h4&gt;&lt;ol class="baseline" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-color: rgb(233, 231, 218); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: left; line-height: normal; list-style-image: initial; list-style-position: initial; list-style-type: none; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; width: 475px;"&gt;&lt;li style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-color: rgb(230, 230, 230); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 9px; padding-left: 0px; padding-right: 0px; padding-top: 9px; vertical-align: baseline; width: 475px;"&gt;&lt;h4 style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 8px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;a href="http://gulfnews.com/life-style/motoring/tag-team-chevrolet-s-future-sportscars-1.971541" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" title="Tag team: Chevrolet's future sportscars"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;Tag team: Chevrolet's future sportscars&lt;/span&gt;&lt;/a&gt;&lt;/h4&gt;&lt;/li&gt;&lt;li style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-color: rgb(230, 230, 230); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 9px; padding-left: 0px; padding-right: 0px; padding-top: 9px; vertical-align: baseline; width: 475px;"&gt;&lt;h4 style="background-attachment: initial; background-clip: initial; 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padding-bottom: 9px; padding-left: 0px; padding-right: 0px; padding-top: 9px; vertical-align: baseline; width: 475px;"&gt;&lt;h4 style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 8px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;a href="http://gulfnews.com/life-style/motoring/porsche-releases-the-new-boxster-generation-1.971492" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; 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border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" title="First glimpse of the 2013 Mini Cooper"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;First glimpse of the 2013 Mini Cooper&lt;/span&gt;&lt;/a&gt;&lt;a href="http://gulfnews.com/life-style/motoring/first-glimpse-of-the-2013-mini-cooper-1.971545" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" title="First glimpse of the 2013 Mini Cooper"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://gulfnews.com/life-style/motoring/first-glimpse-of-the-2013-mini-cooper-1.971545" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" title="First glimpse of the 2013 Mini Cooper"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/h4&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="font-size: 11px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-266117285345005270?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/266117285345005270/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=266117285345005270&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/266117285345005270'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/266117285345005270'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/bmw-reveals-2013-x6.html' title='BMW reveals 2013 X6'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-M8Wl_J-kvFs/TyM3CrBoLSI/AAAAAAAAg_4/O5wLATheb0c/s72-c/bmw.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-6824162617851097293</id><published>2012-01-27T15:37:00.000-08:00</published><updated>2012-01-27T15:40:44.662-08:00</updated><title type='text'>A Pele de Animais na Polêmica A Arte do Descompromisso e na Contramão da História</title><content type='html'>Sabemos que desde os tempos pré-históricos, as peles de animais são utilizadas&amp;nbsp; como vestes. Neste período, valia a lei da sobrevivência da espécie. Os mecanismos utilizados para a indumentária eram rudimentares. Mas, com a evolução e a industrialização foram sendo criadas novas técnicas de tecelagem e tingimentos, não sendo mais necessário a utilização de peles de animais .Em pleno século XXI , seria absurdo pensarmos na matança de animais&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;O couro de vaca e de boi esteve presente nos desfiles de Gloria Coelho (à dir.) e de João Pimenta (à esq.)&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-TJw-PheyY60/TyKvC65_cRI/AAAAAAAAEwk/-ggl4PZkVQI/s1600/dalihome...jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-TJw-PheyY60/TyKvC65_cRI/AAAAAAAAEwk/-ggl4PZkVQI/s1600/dalihome...jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;mmmmm&lt;br /&gt;&lt;br /&gt;mmm&lt;iframe allowfullscreen="" frameborder="0" height="222" src="http://www.youtube.com/embed/kab9Jkihgbs?fs=1" width="230"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-6824162617851097293?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/6824162617851097293/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=6824162617851097293&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/6824162617851097293'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/6824162617851097293'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/pele-de-animais-na-polemica-arte-do.html' title='A Pele de Animais na Polêmica A Arte do Descompromisso e na Contramão da História'/><author><name>Lila Dourado</name><uri>http://www.blogger.com/profile/12320055779616751363</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://1.bp.blogspot.com/_i3COMjI8B08/S4LjGwHlZ9I/AAAAAAAABEo/RkaNZUVZQwA/S220/perfil+face+book.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-TJw-PheyY60/TyKvC65_cRI/AAAAAAAAEwk/-ggl4PZkVQI/s72-c/dalihome...jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-7415805481594149038</id><published>2012-01-27T15:35:00.000-08:00</published><updated>2012-01-27T15:35:40.031-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Debate Aberto'/><category scheme='http://www.blogger.com/atom/ns#' term='Meio Ambiente'/><title type='text'>Já há mais refugiados ambientais que refugiados de guerra</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-nRpUyDkbtVY/TyM0vxL9IJI/AAAAAAAAg_o/iGCLX7YOPhs/s1600/refugiados.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="123" src="http://4.bp.blogspot.com/-nRpUyDkbtVY/TyM0vxL9IJI/AAAAAAAAg_o/iGCLX7YOPhs/s320/refugiados.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;h2 style="font-weight: normal; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 5px; text-align: justify; text-decoration: none;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: small;"&gt;Um relatório publicado em Genebra pela Organização Internacional de Migrações, juntamente com o Instituto de Desenvolvimento Sustentável e de Relações Internacionais, informa sobre este novo fenômeno que afeta todos os continentes. O relatório apresenta um quadro de cifras significativo: em 2008, 4,6 milhões de pessoas tiveram que se deslocar dentro de seus países em razão de um conflito armado enquanto outras 20 milhões tiveram que fazer o mesmo devido a uma catástrofe natural.&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div class="headline-link" style="font-weight: bold; margin-bottom: 5px; text-align: left; text-decoration: none;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Eduardo Febbro - Direto de Paris&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="texto" style="line-height: 18px; margin-top: 20px; text-align: left; text-decoration: none;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;b style="font-weight: 600; text-decoration: none;"&gt;Paris&lt;/b&gt;&amp;nbsp;- Os deslocamentos populacionais ligados a desastres climáticos e ambientais superaram os provocados por conflitos armados. O que parecia uma ficção reservada a filmes de grande espetáculo se tornou uma realidade durante a primeira década do século XXI.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Um relatório publicado em Genebra pela Organização Internacional de Migrações, OIM, juntamente com o Instituto de Desenvolvimento Sustentável e de Relações Internacionais, IDDRI, informa sobre este novo fenômeno que afeta todos os continentes. O relatório, State of Environmental Migration 2010, apresenta um quadro de cifras significativo: em 2008, 4,6 milhões de pessoas tiveram que se deslocar dentro de seus países em razão de um conflito armado enquanto outras 20 milhões tiveram que fazer o mesmo devido a uma catástrofe natural.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;As cifras não pararam de aumentar: em 2009 houve 15 milhões de refugiados “ambientais” e em 2010 a cifra subiu para 38 milhões. Hoje, o deslocamento climático ou ambiental é a primeira causa das migrações humanas. Estas cifras podem ser contrastadas com o número de refugiados políticos que existe no mundo: 16 milhões de pessoas, 12 milhões sem contar os palestinos.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;As destruições ambientais destacadas neste exaustivo trabalho não dizem respeito somente às que poderiam ser denominadas naturais e violentas, mas também os processos mais lentos, que acabam modificando a relação do ser humano com o lugar onde vive. Um exemplo de deslocamento climático involuntário é o que ocorreu no Nepal, com a desaparição dos glaciais do Himalaya. Os glaciais foram derretendo, a água transbordou os chamados rios glaciais e isso acarretou em poderosas inundações que obrigaram às populações ao deslocamento.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Tsumamis, terremotos, inundações na Tailândia, China ou Filipinas, seca no Sudão, o acidente de Fukushima, tempestades na Europa, todos estes acidentes naturais violentos provocaram massivos deslocamentos. E o futuro não se anuncia melhor. O investigador do IDDRI e coordenador do relatório François Gemenne, prevê que “em 2011 as cifras sejam similares as de 2010”. A degradação paulatina do meio ambiente provocada pelo homem tem também uma influência determinante neste fluxo migratório.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Um exemplo disso é o que ocorre no Brasil. O relatório da Organização Internacional de Migrações cita o exemplo do que ocorre no Norte do Brasil. No Amazonas, o desmatamento trouxe consigo a ocupação das terras, mas depois, uma vez que os solos arrasados chegaram ao limite de sua capacidade, as populações que se instalaram ali não obtém mais recursos e devem migrar.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Os deslocamentos ambientais têm um caráter mais dramático que as migrações econômicas. Em primeiro lugar, em muitos casos, os países que se encontram com esses problemas não são diretamente responsáveis pelas mudanças climáticas que induzem ao deslocamento populacional. Em segundo, ao contrário do que ocorre com os migrantes econômicos que partem em busca de uma vida melhor, os já quase refugiados ambientais não entendem o que acontece com eles e esperam sempre poder regressar a suas terras, o que é praticamente impossível.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Em ambos os contextos, um dos maiores desafios consiste em conseguir com que os países diretamente responsáveis pelas mudanças climáticas e, por conseguinte, da migração ambiental, alimentem um fundo para ajudar os países vítimas de variações climáticas. O dispositivo já foi evocado durante a Conferência das Nações Unidas sobre o clima, celebrada em Cancún (México), em 2010. O artigo 14-F se refere às migrações e deslocamentos conectados com as mudanças climáticas e abrange um pacote de medidas que deveriam ser financiada com um “Fundo Verde”.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Entretanto, existe o artigo, mas o fundo está vazio. Os países ricos se comprometeram em contribuir com 100 bilhões de dólares por ano com tal fundo, mas recém a partir de 2020. A um ritmo de quase 40 milhões de migrantes ambientais por ano, dentro de oito anos haverá 320 milhões de refugiados sem assistência internacional alguma. A arquitetura jurídica internacional existente não ampara esses refugiados.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;A convenção de Genebra sobre os refugiados, adotada em 1952, não contempla o esquema da migração ambiental, em especial porque esses refugiados se movem quase exclusivamente dentro das fronteiras de seus países. Em junho de 2011, o Alto Comissário das Nações Unidas para os refugiados Antonio Guterres, havia interferido a fim de que se adotassem “novas medidas para enfrentar os deslocamentos de populações gerados por mudanças climáticas e catástrofes naturais”.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Todos os especialistas se preparam para um futuro climático acidentado. François Gemenne adianta que “é preciso refletir agora sobre um contexto de forte aquecimento, o que vai implicar em uma nova distribuição das populações na superfície do globo. Existem zonas que deixarão de ser habitáveis e seus habitantes deverão migrar”. Dois relatórios simultâneos sustentam a tese de que o amanhã será pior. Um, se trata de um estudo estatístico elaborado pelo Centro de Investigações de Epidemiologia do Desastre (CRED) da Universidade católica de Louvain (Bélgica) e que mostra como, desde 1970, os desastres vêm em constante aumento. O segundo trabalho é o relatório especial publicado em novembro passado pelo GIEC, o Grupo de Especialistas Intergovernamental sobre a Evolução do Clima. O GIEC prevê que os acidentes meteorológicos extremos aumentarão constantemente nos próximos anos.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;O relatório State of Environmental Migration analisou situações climáticas extremas, inclusive nos países ricos, neste caso a França. O trabalho se concentrou muito especialmente nas crises climáticas que estouraram em 2010 no Paquistão (Inundações), na Rússia (incêndios florestais), no Haiti e no Chile (terremotos) e na França (tempestades). O caso francês ilustra que nem sequer os países ricos estão ao resguardo dos deslocamentos de populações obrigados pelo clima. A tempestade Xinthia assolou a costa atlântica francesa entre 26 de fevereiro e primeiro de março de 2010. Seu passo deixou um saldo de 59 mortos e milhares de refugiados permanentes. Dada a exposição de várias zonas a possíveis tempestades futuras, o Governo francês as decretou inabitáveis. Com isso, milhares de pessoas que viviam nestas zonas se viram obrigadas a deixar suas casas e suas terras para sempre.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Neste contexto preciso e após analisar os erros cometidos pelos poderes públicos franceses na gestão desta crise, a OIM destaca a importância da preparação das políticas públicas para administrar as catástrofes climáticas maiores. É lícito citar o desastre, ao mesmo tempo climático e político, que provocou o Furacão Katrina, que golpeou Nova Orleans em 2005. 1.200.000 pessoas foram deslocadas e um terço dos habitantes nunca regressou a seus lares.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;&lt;i style="text-decoration: none;"&gt;Tradução: Liborio Junior&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Fonte:&amp;nbsp;&lt;a href="http://www.cartamaior.com.br/templates/materiaMostrar.cfm?materia_id=19482"&gt;http://www.cartamaior.com.br/templates/materiaMostrar.cfm?materia_id=19482&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-7415805481594149038?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/7415805481594149038/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=7415805481594149038&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/7415805481594149038'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/7415805481594149038'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/ja-ha-mais-refugiados-ambientais-que.html' title='Já há mais refugiados ambientais que refugiados de guerra'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-nRpUyDkbtVY/TyM0vxL9IJI/AAAAAAAAg_o/iGCLX7YOPhs/s72-c/refugiados.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-4866598982990474086</id><published>2012-01-27T00:57:00.000-08:00</published><updated>2012-01-27T00:58:12.894-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Debate Aberto'/><title type='text'>Brasil concede visto de turista a blogueira cubana</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-yOlJkUfJtNs/TyJlzxD94qI/AAAAAAAAg_g/XrmdI9HGd1o/s1600/yoani_sanchez.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-yOlJkUfJtNs/TyJlzxD94qI/AAAAAAAAg_g/XrmdI9HGd1o/s1600/yoani_sanchez.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 12px;"&gt;&lt;span style="font-size: xx-small;"&gt;A blogueira cubana participará de evento na Bahia&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="line-height: 21px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 21px;"&gt;Por Luciana Lima&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 21px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Brasília – O governo brasileiro concedeu visto de turista para a blogueira cubana Yoani Sánchez. A informação foi divulgada na quarta-feira 25 pelo Ministério das Relações Exteriores. De acordo com a nota, a blogueira havia solicitado o visto brasileiro na semana passada, dia 20, na Embaixada do Brasil em Havana.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Na semana passada, Yoani Sánchez divulgou um vídeo na internet dizendo que pediria a intercessão da presidenta Dilma Rousseff, junto ao presidente cubano Raúl Castro, para que o governo cubano permita sua saída da ilha.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Dilma viaja para Cuba no dia 31 de janeiro, onde ficará dois dias e depois segue para o Haiti.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Leia mais:&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;a href="http://www.cartacapital.com.br/internacional/patriota-prepara-visita-de-dilma-rousseff-a-cuba/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;Patriota prepara visita de Dilma Rousseff a Cuba&lt;/a&gt;&lt;a href="http://www.cartacapital.com.br/internacional/fidel-castro-um-robo-e-o-melhor-candidato/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;Fidel Castro: Um robô é o melhor candidato&lt;/a&gt;&lt;a href="http://www.cartacapital.com.br/internacional/chavez-retoma-programa-de-radio-e-tv-e-promete-ficar-cinco-horas-no-ar/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;Chávez retoma programa de rádio e TV e promete ficar cinco horas no ar&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;O Itamaraty também informou que a blogueira, crítica do governo cubano, recebeu convite do cineasta Cláudio Galvão da Silva para comparecer à exibição de estréia do documentário&amp;nbsp;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Conexão Cuba-Honduras&lt;/em&gt;, em Jequié na Bahia, prevista para o dia 10 de fevereiro.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Também na semana passada, Yoani Sánchez enviou uma carta à Dilma. O conteúdo da carta não foi divulgado.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Yoani Sánchez recebeu diversos prêmios por seu&amp;nbsp;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;blog&lt;/em&gt;&amp;nbsp;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Generación Y,&lt;/em&gt;&amp;nbsp;que publica desde 2007. Pelo&amp;nbsp;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;blog&lt;/em&gt;, ela critica o governo cubano, principalmente por não respeitar a liberdade de expressão.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Fonte:&amp;nbsp;&lt;a href="http://www.cartacapital.com.br/sociedade/brasil-concede-visto-de-turista-a-blogueira-cubana/"&gt;http://www.cartacapital.com.br/sociedade/brasil-concede-visto-de-turista-a-blogueira-cubana/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: 'Helvetica Neue', Arial, 'Liberation Sans', sans-serif; font-size: 12px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-4866598982990474086?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/4866598982990474086/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=4866598982990474086&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/4866598982990474086'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/4866598982990474086'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/brasil-concede-visto-de-turista.html' title='Brasil concede visto de turista a blogueira cubana'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-yOlJkUfJtNs/TyJlzxD94qI/AAAAAAAAg_g/XrmdI9HGd1o/s72-c/yoani_sanchez.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-320407902580440402</id><published>2012-01-27T00:48:00.001-08:00</published><updated>2012-01-27T00:49:29.728-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Saúde'/><title type='text'>Micose de unha é combatida com terapia de luz</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-rxWbPicKSD4/TyJlAL5HpTI/AAAAAAAAg_Y/2afPf8TsP98/s1600/prototipo_onicomicose.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-rxWbPicKSD4/TyJlAL5HpTI/AAAAAAAAg_Y/2afPf8TsP98/s1600/prototipo_onicomicose.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="font-size: xx-small;"&gt;&lt;span style="text-align: -webkit-left;"&gt;A luz ativa substâncias específicas da medicação aplicada na unha, gerando uma reação química que libera&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.diariodasaude.com.br/search.php?keyword=esp%E9cies" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; text-align: -webkit-left; text-decoration: none;" target="_blank"&gt;espécies reativas de oxigênio&lt;/a&gt;&lt;span style="text-align: -webkit-left;"&gt;, que matam os fungos. [Imagem:&amp;nbsp;IFSC]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Redação do Diário da Saúde&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Terapia fotodinâmica&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Pesquisadores do Instituto de Física de São Carlos, da USP, utilizaram uma técnica de luz para combater com sucesso os fungos causadores da micose de unha (onicomicose).&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;A expectativa dos pesquisadores é fabricar um aparelho prático e disponibilizar a técnica de maneira acessível a toda população.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;A&amp;nbsp;&lt;a href="http://www.diariodasaude.com.br/search.php?keyword=terapia%20fotodin%E2mica" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; text-decoration: none;" target="_blank"&gt;terapia fotodinâmica&lt;/a&gt;, tratamento de doenças baseado na utilização de luz para ativação de compostos medicamentosos, tem sido presença cada vez mais forte no tratamento de doenças, principalmente na área da dermatologia.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;A técnica, agora aplicada à inativação de microorganismos, havia sido recentemente usada para&amp;nbsp;&lt;a href="http://www.diariodasaude.com.br/news.php?article=terapia-fotodinamica-usa-luz-matar-bacterias-dentes&amp;amp;id=4888" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; text-decoration: none;" target="_blank"&gt;matar bactérias nos dentes&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Tratamentos para micose de unha&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Os tratamentos convencionais para a micose de unha, ou onicomicose, são mais paliativos do que uma solução definitiva, e são associados a altas taxas de falha e recorrência.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;A pesquisadora Ana Paula da Silva adaptou um equipamento de fluorescência, já disponível no mercado para o diagnóstico de cáries e placas bacterianas.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;O equipamento permite uma localização mais exata dos fungos causadores da infecção por meio da fluorescência característica do próprio microorganismo.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;A seguir foram desenvolvidos os protótipos de equipamento para fazer o combate propriamente dito da onicomicose.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Compostos fotossensíveis&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Hoje a pesquisa se baseia na utilização de dois protótipos diferentes para o trato da unha, sendo que cada protótipo trabalha com um comprimento de onda diferente, a fim de ativar diferentes substâncias nos medicamentos.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;"São compostos fotossensíveis bem diferentes", comenta Natalia Mayumi Inada, orientadora do projeto.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;"O intuito é comparar a eficácia de cada composto, e para isso utilizamos, para cada um, uma fonte de luz específica: uma na região do vermelho e outra na região do azul", completa.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Espécies reativas de oxigênio&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;A luz em um comprimento de onda específico tem a função de ativar o composto fotossensível que, já em contato com a unha danificada, gera&lt;a href="http://www.diariodasaude.com.br/news.php?article=oxidantes-e-antioxidantes&amp;amp;id=7234" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; text-decoration: none;" target="_blank"&gt;espécies reativas de oxigênio&lt;/a&gt;&amp;nbsp;que são prejudiciais aos microorganismos.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;"Estas espécies reativas de oxigênio são tóxicas para o fungo ou para a bactéria, e acabam por eliminá-los," esclarece Natalia.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;A medicação fica em contato direto com a lesão durante apenas uma hora, iluminada por vinte minutos.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Com a rapidez da ação, Ana Paula conta que consegue tratar de dez a quinze pacientes por dia.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Tanto o protótipo do equipamento quanto a técnica da inativação fotodinâmica já estão patenteados. As medicações utilizadas são comerciais, já aprovadas para estudos clínicos experimentais - uma de origem russa e outra nacional, sintetizada por uma indústria farmacêutica de Ribeirão Preto (interior de São Paulo).&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Fonte:&amp;nbsp;&lt;a href="http://www.diariodasaude.com.br/news.php?article=micose-unha-combatida-terapia-luz&amp;amp;id=7367&amp;amp;nl=nlds"&gt;http://www.diariodasaude.com.br/news.php?article=micose-unha-combatida-terapia-luz&amp;amp;id=7367&amp;amp;nl=nlds&lt;/a&gt;&lt;/span&gt;&lt;span style="background-color: transparent; font-family: Verdana, Arial, Helvetica; font-size: 0.8em;"&gt;&lt;span style="background-color: transparent;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-320407902580440402?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/320407902580440402/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=320407902580440402&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/320407902580440402'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/320407902580440402'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/micose-de-unha-e-combatida-com-terapia.html' title='Micose de unha é combatida com terapia de luz'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-rxWbPicKSD4/TyJlAL5HpTI/AAAAAAAAg_Y/2afPf8TsP98/s72-c/prototipo_onicomicose.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-3458478263416110164</id><published>2012-01-27T00:44:00.000-08:00</published><updated>2012-01-27T00:44:40.604-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Saúde'/><title type='text'>Fritura em azeite ou óleo de girassol não eleva risco cardíaco</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-hebiDs7Klxk/TyJjuu_aGXI/AAAAAAAAg_Q/6jCh4QuzN-I/s1600/azeite-oliva.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-hebiDs7Klxk/TyJjuu_aGXI/AAAAAAAAg_Q/6jCh4QuzN-I/s1600/azeite-oliva.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;&lt;span style="text-align: -webkit-left;"&gt;Azeite de oliva e óleo de girassol não fazem mal ao coração mesmo quando usado em frituras.[Imagem:&amp;nbsp;Wikimedia]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Com informações da BBC&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Oliveira ou girassol&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Já se sabia que o azeite de oliva pode&amp;nbsp;&lt;a href="http://www.diariodasaude.com.br/news.php?article=azeite-oleo-linhaca-reduzem-obesidade-diabetes&amp;amp;id=7099" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; text-decoration: none;" target="_blank"&gt;reduzir a obesidade e diabetes&lt;/a&gt;,&amp;nbsp;&lt;a href="http://www.diariodasaude.com.br/news.php?article=azeite-oliva-previne-derrame&amp;amp;id=6620" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; text-decoration: none;" target="_blank"&gt;prevenir derrame&lt;/a&gt;&amp;nbsp;e&amp;nbsp;&lt;a href="http://www.diariodasaude.com.br/news.php?article=componente-azeite-oliva-prevenir-tratar-alzheimer&amp;amp;id=4573" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; text-decoration: none;" target="_blank"&gt;prevenir e até tratar o Alzheimer&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Agora, pesquisadores espanhóis demonstraram que, mesmo se usado em uma das técnicas de preparo de alimentos mais desaconselhadas pelos especialistas - a fritura - o azeite não faz mal.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Os cientistas da Universidade Autônoma de Madri não encontraram nenhuma correlação entre as frituras com azeite de oliva ou com óleo de girassol e problemas cardíacos ou mortes prematuras.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Mas as orientações anti-fritura continuam valendo para os demais tipos de óleo vegetal, assim como para aqueles de origem animal.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Sem ligação&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;O estudo envolveu o acompanhamento de 41 mil adultos durante 11 anos - pessoas com os mais diversos hábitos alimentares.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;No início da pesquisa, nenhum deles tinha sinais de doença cardíaca.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;No final do período, tinham ocorrido 606 incidentes relacionados a problemas cardíacos e 1.134 mortes.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Quando os pesquisadores analisaram os detalhes dos incidentes, não encontraram qualquer ligação destes com o consumo de alimentos fritos, e isso, segundo os especialistas, se deve ao tipo de óleo usado na fritura, no caso azeite e óleo de girassol.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Dieta mediterrânea&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Não é de hoje que a dieta dos países do Mediterrâneo, entre os quais está a Espanha, é apontada como saudável por causa da abundância de peixe fresco e frutas e legumes plenos de fibras e de baixas calorias.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Inúmeros estudos já apontaram que uma dieta saudável pode reduzir o risco de doenças cardíacas e mesmo câncer.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;O jeito de se alimentar desses países é conhecido como&amp;nbsp;&lt;a href="http://www.diariodasaude.com.br/search.php?keyword=Dieta" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; text-decoration: none;"&gt;Dieta Mediterrânea&lt;/a&gt;, sendo considerada uma das mais saudáveis do mundo.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Fonte:&amp;nbsp;&lt;a href="http://www.diariodasaude.com.br/news.php?article=fritura-azeite-ou-oleo-girassol-nao-eleva-risco-cardiaco&amp;amp;id=7370&amp;amp;nl=nlds"&gt;http://www.diariodasaude.com.br/news.php?article=fritura-azeite-ou-oleo-girassol-nao-eleva-risco-cardiaco&amp;amp;id=7370&amp;amp;nl=nlds&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-3458478263416110164?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/3458478263416110164/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=3458478263416110164&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/3458478263416110164'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/3458478263416110164'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/fritura-em-azeite-ou-oleo-de-girassol.html' title='Fritura em azeite ou óleo de girassol não eleva risco cardíaco'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-hebiDs7Klxk/TyJjuu_aGXI/AAAAAAAAg_Q/6jCh4QuzN-I/s72-c/azeite-oliva.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-5214290139612811848</id><published>2012-01-27T00:40:00.000-08:00</published><updated>2012-01-27T00:40:32.553-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Saúde'/><title type='text'>Componente do chá-mate destrói células de câncer</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-2G68T17tXKk/TyJioExWOCI/AAAAAAAAg_I/ae_Cx2dTUYE/s1600/cha-mate.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-2G68T17tXKk/TyJioExWOCI/AAAAAAAAg_I/ae_Cx2dTUYE/s1600/cha-mate.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="text-align: -webkit-left;"&gt;&lt;span style="font-size: xx-small;"&gt;As células morreram quando receberam os compostos em uma quantidade equivalente à presente em uma xícara de chá-mate. [Imagem:&amp;nbsp;Jorge Alfonso Hernández/Wikimedia]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="text-align: -webkit-auto;"&gt;Redação do Diário da Saúde&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="background-color: black; text-align: -webkit-auto;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;strong style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Câncer e inflamação&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Cientistas descobriram que as células do&amp;nbsp;&lt;a href="http://www.diariodasaude.com.br/topics.php?tag=C%E2ncer%20de%20C%F3lon" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; text-decoration: none;" target="_blank"&gt;câncer de cólon&lt;/a&gt;&amp;nbsp;humano morrem quando são expostas aos compostos bioativos presentes na erva-mate.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;As células morreram quando receberam os compostos em uma quantidade equivalente à presente em uma xícara de chá-mate.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;"Os derivativos da cafeína no chá-mate não apenas induziram a morte das células do câncer de cólon humano, como também reduziram marcadores importantes da inflamação," conta a Dra. Elvira de Mejia, da Universidade de Illinois (EUA).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Isto é importante porque a inflamação pode disparar os mecanismos da progressão do câncer.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;strong style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Morte celular programada&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;No estudo&amp;nbsp;&lt;i&gt;in vitro&lt;/i&gt;, Mejia e seu colega Sirima Puangpraphant isolaram e purificaram os derivados do ácido cafeoilquínico, ou cafeoleoquínico, presentes na erva-mate.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Conforme os cientistas aumentaram a concentração do ácido, as células de câncer começaram a disparar seu mecanismo de morte programada, conhecida como&amp;nbsp;&lt;a href="http://www.diariodasaude.com.br/search.php?keyword=apoptose" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; text-decoration: none;" target="_blank"&gt;apoptose&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;"Simplificando, as células do câncer se autodestruíram porque seu DNA foi danificado," explica a pesquisadora.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;A capacidade para induzir a morte celular programada é uma tática promissora para intervenções terapêuticas para todos os tipos de câncer.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;strong style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Intestino&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Segundo a pesquisadora, os resultados do estudo sugerem fortemente que os derivativos da&amp;nbsp;&lt;a href="http://www.diariodasaude.com.br/search.php?keyword=cafe%EDna" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; text-decoration: none;" target="_blank"&gt;cafeína&lt;/a&gt;&amp;nbsp;presentes no chá-mate têm potencial como agentes anti-câncer.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Esses derivativos também poderão ser usados em outras doenças associadas com a inflamação.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Mas como o intestino e sua microflora têm um papel importante na absorção e no metabolismo dos componentes derivados da cafeína, os efeitos anti-inflamatórios e anti-câncer do chá-mate deverá ser mais úteis nas doenças do cólon.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 18px; margin-bottom: 15px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Fonte:&amp;nbsp;&lt;a href="http://www.diariodasaude.com.br/news.php?article=cha-mate-destroi-celulas-cancer&amp;amp;id=7368&amp;amp;nl=nlds"&gt;http://www.diariodasaude.com.br/news.php?article=cha-mate-destroi-celulas-cancer&amp;amp;id=7368&amp;amp;nl=nlds&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-5214290139612811848?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/5214290139612811848/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=5214290139612811848&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/5214290139612811848'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/5214290139612811848'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/componente-do-cha-mate-destroi-celulas.html' title='Componente do chá-mate destrói células de câncer'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-2G68T17tXKk/TyJioExWOCI/AAAAAAAAg_I/ae_Cx2dTUYE/s72-c/cha-mate.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-60897732218284537</id><published>2012-01-25T04:34:00.001-08:00</published><updated>2012-01-27T12:33:37.643-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Saúde'/><category scheme='http://www.blogger.com/atom/ns#' term='Educação'/><title type='text'>10 MOTIVOS PARA CONSUMIR O ÓLEO DE COCO EXTRA VIRGEM</title><content type='html'>&lt;br /&gt;&lt;h2 style="line-height: 1.3em; margin-bottom: 0.4em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: small;"&gt;10 MOTIVOS PARA CONSUMIR O ÓLEO DE COCO EXTRA VIRGEM&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;1 -&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Ação ANTIOXIDANTE&lt;/span&gt;&lt;/strong&gt;&amp;nbsp;– Colabora na diminuição da produção de “Radicais Livres”! Isto se deve principalmente a ação direta da vitamina-E presente na “Gordura de Coco Extra Virgem” composta por 8 frações desta vitamina; 4 tocotrienóis (alfa, gama, delta e teta) e 4 tocoferóis (alfa, gama, delta e teta).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Contrário a outras gorduras, principalmente em relação aos óleos poliinsaturados, a gordura de coco diminuiu as necessidades de vitamina E do organismo.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&amp;nbsp;2 –&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;COLESTEROL&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;- &amp;nbsp;Ajuda na redução do mau COLETEROL – LDL e evita que o mesmo se oxide. Por outro lado, promove a elevação do bom COLESTEROL - HDL contribuindo assim na prevenção e tratamento das doenças cerebrais e cardiovasculares.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&amp;nbsp;3 –&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Colabora no processo do EMAGRECIMENTO&lt;/span&gt;&lt;/strong&gt;&amp;nbsp;– De fácil absorção, a gordura de coco é a melhor fonte de TRIGLICERIDEOS DE CADEIA MÉDIA, não necessita de enzimas para sua digestão e metabolismo. No fígado, estes triglicerídeos rapidamente se transformam em energia, desta maneira não se depositam no organismo. Por isso ela é considerada “termogênica”, ou seja, capaz de gerar calor e queimar calorias. Esta propriedade, aliada a capacidade que a gordura de coco tem de estimular a glândula tireóide, aumenta o metabolismo basal e, conseqüentemente:&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;EMAGRECE!&lt;/span&gt;&lt;/strong&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;4 – Melhora o&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;sistema IMUNOLÓGICO&lt;/strong&gt;&amp;nbsp;- agindo&amp;nbsp;na prevenção e no combate aos VERMES – BACTÉRIAS e FUNGOS, restabelece a energia “roubada” por estes agentes. Conseqüentemente melhora a absorção dos nutrientes aumentando todas as defesas do organismo. &amp;nbsp;A gordura de coco apresenta a maior concentração de Ácido Láurico, dentre todas as gorduras vegetais.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;em style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Em outras palavras, é o mesmo&amp;nbsp; ácido graxo presente no leite materno!&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;No organismo o Ácido Láurico é convertido em monolaurin que tem ações para combater inúmeras infecções. Mais recentemente em 1992, Isaacs e colaboradores confirmaram todos estes estudos.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Ainda em relação ao ácido láurico, veja a declaração da Dra. Mary Enig, uma das maiores autoridades mundiais em relação a estudos sobre gorduras, principalmente no que se refere à&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;GORDURA DE COCO EXTRA VIRGEM&lt;/span&gt;&lt;/strong&gt;, leia-se&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;ÀCIDO LAURICO&lt;/span&gt;&lt;/strong&gt;. Este artigo foi por ela publicado em setembro de 1995 no “Indian Coconut Journal”:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&amp;nbsp;&lt;em style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;“&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;O&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/em&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;MONOLAURIN&lt;/strong&gt;&lt;em style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;, cujo precursor é o àcido LÁURICO (C-12), destrói a membrana &amp;nbsp;lipídica que envolve os vírus e, também ele inativa bactérias, levedura e fungos.”&amp;nbsp;&lt;/span&gt;&lt;/em&gt;E acrescentou&lt;em style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;: “Dentre os ácidos graxos saturados, o ácido láurico tem mais&amp;nbsp;atividade anti-viral do que os ácidos caprílico (C-10) e mirístico (C-14). A ação atribuída ao&amp;nbsp;&lt;/span&gt;&lt;/em&gt;MONOLAURIN&lt;em style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&amp;nbsp;é que ele solubiliza (dissolve) as gorduras...do&amp;nbsp;envolve que envolve os vírus, destruindo assim sua capa protetora”.&amp;nbsp;&lt;/span&gt;&lt;/em&gt;(Estes números e o C - significam a quantidade de átomos de carbono dos ácidos graxos).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Dentre centenas de outros trabalhos científicos, hoje a GORDURA DE COCO EXTRA VIRGEM é capaz de ajudar a combater uma infinidade de bactérias, leveduras, fungos e vírus, tais como:&lt;em style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&amp;nbsp;sarampo, herpes, estomatite vesicular e Cytomegalovirus (CMV), Epistein Bar vírus, &amp;nbsp;vírus da hepatite C (HCV), AIDES (HIV), H. pylori, giárdia, cândida,&lt;/span&gt;&lt;/em&gt;cryptosporidium e outros parasitas intestinais.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;5 – Regula a&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;FUNÇÃO INTESTINAL&lt;/span&gt;&lt;/strong&gt;&amp;nbsp;– Tanto nos casos de prisão de ventre ou mesmo nas diarréias, os componentes da gordura de coco agem normalizando as funções intestinais. Ao mesmo tempo o ácido láurico, através do monolaurin, ajuda a eliminar as bactérias patogênicas (inimigas), protegendo e favorecendo o crescimento da “flora amiga”.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;6 –&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Tireóide&lt;/strong&gt;&amp;nbsp;- Melhora o funcionamento da&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;TIREÓIDE&lt;/span&gt;&lt;/strong&gt;, tendo ainda ação “Anti-Envelhecimento” – Estudos realizados há mais de 30 anos comprovaram que a gordura de coco estimula a função da glândula TIREÓIDE. O bom funcionamento da TIREÓIDE faz com que especificamente o mal COLESEROL – LDL, através de processo enzimático, produza os hormônios antienvelhecimento: PREGNENOLONA, PROGESTERONA e DHEA (dehidroepiandrosterona). Todas estas substâncias são necessárias na prevenção de Doenças Cardiovasculares, Senilidade, Obesidade, Câncer dentre outras doenças crônicas relacionadas à idade.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;7&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;- Ação COSMÉTICA&lt;/strong&gt;&amp;nbsp;– A maioria das loções e cremes comerciais é constituída predominantemente de água. Estas preparações úmidas são rapidamente absorvidas pela pele seca e enrugada. Assim que a água entra na pele, o tecido é expandido como um balão com água, então as rugas desaparecem e a pele se torna mais macia.&amp;nbsp;&lt;em style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Porém, tudo isto é temporário.&lt;/span&gt;&lt;/em&gt;&amp;nbsp;Em poucas horas a água é absorvida e levada para a corrente sangüínea e, tanto a secura como as rugas reaparecem. Além de não resolver o problema de hidratação e das rugas, estes cremes ou óleos refinados estão quase sempre oxidados, trazendo consigo uma montanha de radicais livres, que agravam cada vez mais o tecido elástico da pele tornando-a mais envelhecida.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;A gordura de coco pode ser aplicada diretamente sobre a pele e mesmo nos cabelos, funcionando com um “condiocinador” natural, para isso é só massagear os cabelos com 1 colher das de sobremesa antes do banho.&amp;nbsp;Além de hidratar a pele e não conter radicais livres, previne rugas numa verdadeira ação antienvelhecimento. Isto se deve a “lubrificação” da pele, permitindo que os nutrientes do sangue cheguem até ela.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;8 –&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Ação Dermatológica&lt;/strong&gt;&amp;nbsp;– Além do poder bactericida na pele, pode ser utilizada como cicatrizante de feridas, picadas de insetos,&amp;nbsp;alívio em queimaduras e, sobretudo nos eczemas e dermatites de contato, bem como no tratamento do herpes e candidíase.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;9 –&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Diabéticos&lt;/strong&gt;&amp;nbsp;– Controla a compulsão por CARBOIDRATOS – Assim como os alimentos ricos em fibras ajudam a manter níveis estáveis de insulina no sangue, conseqüentemente facilitando a vida dos DIABÉTICOS, a gordura de coco proporciona uma sensação de saciedade ainda maior e, acima de tudo não estimula a liberação de insulina, contribuindo desta forma para diminuir o “craving” compulsão por carboidratos, principalmente a doces. Contrário aos demais óleos poliinsaturados que dificultam a entrada da insulina e nutrientes para dentro das células, deixando-as literalmente “famintas”, a gordura de coco “abre as suas membranas”, não somente&amp;nbsp;permitindo que os níveis de glicose e insulina se normalizem, como também melhorando sua nutrição, restabelecendo os níveis normais de energia.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;10 ––&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Fadiga crônica e Fibromialgia&lt;/strong&gt;&amp;nbsp;-Até recentemente estas duas entidades não eram reconhecidas pela medicina tradicional. Somente agora após uma grande divulgação na mídia da melhora clínica de milhares de pacientes, é que o tradicional “stablischment”, deu mão a palmatória, chegando mesmo a ser reconhecida pelo FDA, quando liberou um medicamento para combater este mal.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Estas duas entidades muitas vezes se confundem e, há autores que afirmam que ambas têm a mesma etiologia. Porém a esmagadora maioria da classe médica ainda insiste em afirmar que estas duas afecções são na realidade um quadro depressivo mascarado, devendo por isso mesmo ser tratada com antidepressivos.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Enquanto na Fibromialgia predomina o sintoma DOR, na Síndrome da Fadiga Crônica, o CANSAÇO é a tônica. Em outras palavras:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;FADIGA CRÔNICA&lt;/span&gt;&lt;/strong&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; =&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (Sinônimo de)&amp;nbsp;CANSAÇO&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;FIBROMIALGIA&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; =&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; (Sinônimo de)&amp;nbsp;&amp;nbsp; DOR&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;A&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Fibromilagia&lt;/strong&gt;&amp;nbsp;pode ser considerada um processo reumático, que freqüentemente acomete o pescoço, região lombar, ombros, nuca, parte superior das coxas, joelhos, nádegas, cotovelos e parte superior do tórax. É importante lembrar que os fenômenos dolorosos podem acometer qualquer parte do corpo.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Tanto a dor quanto o enrijecimento matinal é mais acentuado pela manhã, que muitas vezes é acompanhado de: insônia, dor de cabeça, depressão, mente embotada, desorientação, alterações digestivas, tonteiras, ataque de pânico e vermelhidão facial.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;O sistema imunológico de uma pessoa afetada, freqüentemente é hipersensível a muitos fatores, tornando o indivíduo hiperalérgico a muitos alimentos. Estes sintomas podem ser agravados por outras alergias, falta de sono, estresse e infecções agudas.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Dentre as causas associadas a estas duas patologias destacamos:&amp;nbsp;Herpes Zoster, Epstein – Barr Virus (o vírus do beijo), Mononucleose infecciosa, Resfriados e Estados Gripais, Deficiência nutricional, Intoxicações por metais pesados (mercúrio, chumbo, arsênico, cádmio, flúor, cloro, dentre outros), finalmente a deficiência de sais minerais e, o eterno desafio do homem, o estresse!&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Hoje, a gordura de coco EXTRA – VIRGEM, talvez seja uma das melhores soluções para combater a Síndrome da Fadiga Crônica e Fibromialgia.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Os ácidos gordurosos de cadeia média, sobretudo o Láurico, podem eliminar vírus como os do Herpes e Epstein-Barr, que se acredita sejam os grandes responsáveis por estas entidades. Combate e ajuda eliminar cândida, giárdia e ameba. Ainda eliminam uma grande quantidade de vírus, bactérias e até mesmo certos vermes que podem estar relacionados à estas duas patologias.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;A grande maioria dos médicos acreditam que não é um único tipo de vírus ou bactéria os responsáveis pela Síndrome da Fadiga Crônica e, mesmo da Fibromialgia, mas sim, a combinação de vários agentes e fatores. Nestas condições a gordura de coco age neutralizando uma gama enorme destes agentes infecciosos. Melhora o sistema imunológico, elimina o estado de&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;ESTRESSE&lt;/span&gt;&lt;/strong&gt;&amp;nbsp;sofrido por ele. Em fim, por aumentar nosso metabolismo e por recuperamos nossa energia plena, nos sentimos “mais jovens”, com capacidade para realizar nossos sonhos !&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Lembre-se que não há contra-indicações para seu uso, na dúvida, consulte seu médico.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Sérgio Puppin, MD.&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;Cardiologista e Nutrólogo CRMRJ 52-133209&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 18px; margin-bottom: 0.8em; margin-left: 5px; margin-right: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Fonte:&amp;nbsp;&lt;a href="http://www.oleodecoco.com/oleodecoco10motivos"&gt;http://www.oleodecoco.com/oleodecoco10motivos&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;h1 style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: dotted; border-bottom-width: 2px; border-top-color: rgb(204, 204, 204); border-top-style: dotted; border-top-width: 2px; font-weight: normal; line-height: normal; margin-bottom: 17px; margin-top: 0px; padding-bottom: 3px; text-align: -webkit-auto;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;a href="http://mundoverde.com.br/blog/2010/03/19/os-beneficios-do-oleo-de-coco-para-sua-saude/" style="text-decoration: none;" title="Permanent Link to Os benefícios do óleo de coco para sua saúde"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; font-size: large;"&gt;Os benefícios do óleo de coco para sua saúde&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/h1&gt;&lt;div&gt;&lt;div class="small" style="font-weight: normal; line-height: 17px; margin-bottom: 17px; text-align: -webkit-auto;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Postado por: Mundo Verde em 19 de Março de 2010&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="font-weight: normal; line-height: 20px; margin-bottom: 17px; text-align: justify;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Leite de coco, picolé de coco, doce de coco, cocada, cuzcuz doce, tapioca…&amp;nbsp;A tradição culinária brasileira é cheia de usos do coco. Mas vocês já ouviram falar das propriedades do&amp;nbsp;&lt;strong&gt;óleo&amp;nbsp;&lt;/strong&gt;dessa fruta?&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="font-weight: normal; line-height: 20px; margin-bottom: 17px; text-align: justify;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;O&amp;nbsp;&lt;strong&gt;óleo de coco&lt;/strong&gt;&amp;nbsp;é obtido a partir da prensagem da carne do coco maduro, que pode ser fresco ou seco.&amp;nbsp;É rico em&amp;nbsp;substâncias antioxidantes&amp;nbsp;e apresenta propriedades funcionais, conferindo diversosbenefícios à saúde.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="font-weight: normal; line-height: 20px; margin-bottom: 17px; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 17px; text-align: center;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;O&amp;nbsp;óleo de coco&amp;nbsp;pode&amp;nbsp;auxiliar no emagrecimento&amp;nbsp;devido ao seu efeito termogênico, que aumenta o gasto energético do organismo, além de causar&amp;nbsp;saciedade.&amp;nbsp;Auxilia também na&amp;nbsp;prevenção e tratamento de doenças cardiovasculares.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="margin-bottom: 17px; text-align: -webkit-auto;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Além de sua ingestão ser benéfica ao organismo, o óleo de coco também pode ser utilizado com&amp;nbsp;finalidades cosméticas&amp;nbsp;sem conservantes e/ou substâncias químicas alergênicas.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="margin-bottom: 17px;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Garante o aporte de antioxidantes na pele, atua como excelente hidratante, promove melhora da elasticidade cutânea, confere à pele uma aparência mais jovem e sadia e reduz danos capilares em diversos tipos de cabelos. Pode ser massageado diretamente sobre a pele, diariamente, principalmente para peles mais secas. Seu uso também é sugerido paraprevenção de estrias&amp;nbsp;que ocorrem por conta da gestação.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="margin-bottom: 17px; text-align: -webkit-auto;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;De uma maneira geral, não possui contraindicações quando consumido em uma quantidade de 30-45ml/dia (2 a 3 colheres de sopa).&amp;nbsp; Recomenda-se começar seu consumo com uma pequena quantidade (equivalente a ½ colher de sopa) e ir aumentando o consumo gradualmente. O consumo excessivo pode levar a enjôo e mal estar.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="margin-bottom: 17px; text-align: -webkit-auto;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Pode também ser utilizado para finalizar pratos quentes.&amp;nbsp;É o tipo ideal de óleo para dar sabor e aroma suaves a pratos como arroz e peixes.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="margin-bottom: 17px; text-align: -webkit-auto;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong&gt;Dica de uso:&lt;/strong&gt;&amp;nbsp;substitua a manteiga nas pipocas pelo óleo de coco e adicione em preparações frias, como saladas, sucos, shakes, misturado à granola, iogurte, salada de frutas etc.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="margin-bottom: 17px;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;O texto na íntegra sobre o óleo de coco, escrito pela nutricionista Bruna Murta, pode ser encontrado no site da&amp;nbsp;&lt;a href="http://www.mundoverde.com.br/" target="_blank"&gt;Rede Mundo Verde&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="margin-bottom: 17px;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Fonte:&amp;nbsp;&lt;a href="http://mundoverde.com.br/blog/2010/03/19/os-beneficios-do-oleo-de-coco-para-sua-saude/"&gt;http://mundoverde.com.br/blog/2010/03/19/os-beneficios-do-oleo-de-coco-para-sua-saude/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-60897732218284537?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/60897732218284537/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=60897732218284537&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/60897732218284537'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/60897732218284537'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/10-motivos-para-consumir-o-oleo-de-coco.html' title='10 MOTIVOS PARA CONSUMIR O ÓLEO DE COCO EXTRA VIRGEM'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-3409954119279981427</id><published>2012-01-23T18:19:00.000-08:00</published><updated>2012-01-23T18:19:16.077-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Opniao'/><title type='text'>A serviço da treva</title><content type='html'>&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 21px;"&gt;Por Mino Carta&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 21px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 21px;"&gt;Âncora do&amp;nbsp;&lt;/span&gt;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Jornal Nacional&lt;/em&gt;&lt;span style="line-height: 21px;"&gt;&amp;nbsp;da Globo, William Bonner espera ser assistido por um cidadão o mais possível parecido com Homer Simpson, aquele beócio americano. Arrisco-me a crer que Pedro Bial, âncora do&amp;nbsp;&lt;/span&gt;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Big Brother&lt;/em&gt;&lt;span style="line-height: 21px;"&gt;, espere a audiência da classe média nativa. Ou por outra, ele apostaria desabridamente no Brasil, ao contrário do colega do&amp;nbsp;&lt;/span&gt;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;JN&lt;/em&gt;&lt;span style="line-height: 21px;"&gt;. Se assim for, receio que não se engane.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; line-height: 21px;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Houve nos últimos tempos progressos em termos de inclusão social de sorte a sugerir aos sedentos por frases feitas o surgimento de uma “nova classe média”. Não ouso aconselhar-me com meus carentes botões a respeito da validade dos critérios pelos quais alguém saído da pobreza se torna pequeno burguês. Tanto eles quanto eu sabemos que para atingir certos níveis no Brasil de hoje basta alcançar uma renda familiar de cerca de 3 mil reais, ou possuir celular e microcomputador.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Tampouco pergunto aos botões o que há de “médio” neste gênero de situações econômicas entre quem ganha salário mínimo, e até menos, e, digamos, os donos de apartamentos de mil metros quadrados de construção, e mais ainda. Poupo-os e poupo-me. Que venha a inclusão, e que se aprofunde, mas&amp;nbsp;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;est modus in rebus&lt;/em&gt;. Se, de um lado, o desequilíbrio social ainda é espantoso, do outro cabe discutir o que significa exatamente figurar nesta ou naquela classe. Quer dizer, que implicações acarreta, ou deveria acarretar.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Aí está uma das&lt;/strong&gt;&amp;nbsp;peculiaridades do País, a par do egoísmo feroz da chamada elite, da ausência de um verdadeiro Estado de Bem-Estar Social etc. etc. Insisto em um tema recorrente neste espaço, o fato de que os efeitos da revolução burguesa de 1789 não transpuseram a barreira dos Pireneus e não chegaram até nós. E não chegou à percepção de consequências de outros momentos históricos também importantes. Por exemplo. Alastrou-se a crença no irremediável fracasso do dito socialismo real. Ocorre, porém, que a presença do império soviético condicionou o mundo décadas a fio, fortaleceu a esquerda ocidental e gerou mudanças profundas e benéficas, sublinho benéficas, em matéria de inclusão social. No período, muitos anéis desprenderam-se de inúmeros dedos graúdos.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Leia mais:&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;a href="http://www.cartacapital.com.br/sociedade/o-fator-melancia/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;O fator melancia&lt;/a&gt;&lt;a href="http://www.cartacapital.com.br/sociedade/o-mimimi-anti-bbb/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;O mimimi anti-BBB&lt;/a&gt;&lt;a href="http://www.cartacapital.com.br/sociedade/o-cliche-anti-bbb/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;O clichê anti-BBB&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;A ampliação da nossa “classe média”, ou seja, a razoável multiplicação dos consumidores, é benfazeja do ponto de vista estritamente econômico, mas cultural não é, pelo menos por enquanto, ao contrário do que se deu nos países europeus e nos Estados Unidos depois da Revolução Francesa. De vários ângulos, ainda estacionamos na Idade Média e não nos faltam os castelões e os servos da gleba, e quem se julga cidadão acredita nos editoriais dos jornalões, nas invenções de&amp;nbsp;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Veja&lt;/em&gt;, no noticiário do&amp;nbsp;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Jornal Nacional&lt;/em&gt;. Ah, sim, muitos assistem ao&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Big Brother&lt;/em&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Estes não sabem da sua própria terra e dos seus patrícios, neste país de uma classe média que não está no meio e passivamente digere versões e encenações midiáticas. Desde as colunas sociais há mais de um século extintas pela imprensa do mundo contemporâneo até programas como&amp;nbsp;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Mulheres Ricas&lt;/em&gt;, da TV Bandeirantes. Ali as damas protagonistas substituíram a Coca e o Guaraná pelo champanhe Cristal. Quanto ao&amp;nbsp;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Big Brother&lt;/em&gt;, é de fonte excelente a informação de que a produção queria um “negro bem-sucedido”, crítico das cotas previstas pelas políticas de ação afirmativa contra o racismo. Submetido no ar a uma veloz sabatina no dia da estreia, Daniel Echaniz, o negro desejado, declarou-se contrário às cotas e ganhou as palmas febris dos parceiros brancos e do âncora Pedro Bial.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&amp;nbsp;A Globo, em todas&lt;/strong&gt;&amp;nbsp;as suas manifestações, condena as cotas e não hesita em estender sua oposição às telenovelas e até ao&amp;nbsp;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Big Brother&lt;/em&gt;. E não é que este Daniel, talvez negro da alma branca, é expulso do programa do nosso inefável Bial? Por não ter cumprido algum procedimento-padrão, como a emissora comunica, de fato acusado de estuprar supostamente uma colega de aventura global, como a concorrência divulga. Há quem se preocupe com a legislação que no Brasil contempla o específico tema do estupro. Convém, contudo, atentar também para outro aspecto.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;A questão das cotas é coisa séria, e quem gostaria de saber mais a respeito, inteire-se com proveito dos trabalhos da GEMAA, coordenados pelo professor João Feres Jr., da Universidade do Estado do Rio de Janeiro: o site deste Grupo de Estudos oferece conteúdo sobre políticas de ação afirmativa contra o racismo. Seria lamentável se Daniel tivesse cometido o crime hediondo. Ainda assim, o programa é altamente representativo do nível cultural da velha e da nova classe média, e nem se fale dos nababos. Já a organização do nosso colega Roberto Marinho e seu Grande Irmão não são menos representativos de uma mídia a serviço da treva. •&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Fonte:&amp;nbsp;&lt;a href="http://www.cartacapital.com.br/politica/a-servico-da-treva/"&gt;http://www.cartacapital.com.br/politica/a-servico-da-treva/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 21px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;/div&gt;&lt;div class="post-64902 post type-post status-publish format-standard hentry category-politica category-sociedade tag-assentamento-pinheirinho tag-felipe-milanez tag-maira-kubik-mano tag-panico tag-policia-militar tag-sao-paulo" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: 'Helvetica Neue', Arial, 'Liberation Sans', sans-serif; height: 60px; line-height: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 13px; padding-left: 0px; padding-right: 0px; padding-top: 10px; vertical-align: baseline;"&gt;&lt;h2 class="titulo-post" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;a href="http://www.cartacapital.com.br/sociedade/liguei-para-o-190-com-medo-da-policia/" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: black; letter-spacing: -1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline; width: 0px;"&gt;&lt;span style="font-size: xx-small;"&gt;‘Liguei para o 190 com medo da polícia’&lt;/span&gt;&lt;/a&gt;&lt;/h2&gt;&lt;div class="entry-categoria" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #3b3c3f; height: 35px; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="font-size: xx-small;"&gt;Os repórteres Felipe Milanez e Maíra Kubík Mano descrevem o dia de terror vivido pelos moradores expulsos do assentamento Pinheirinho&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="post-64881 post type-post status-publish format-standard hentry category-politica category-sociedade tag-180-milhoes tag-guarda-civil-municipal tag-pinheirinho tag-pt tag-selecta tag-zeis" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: 'Helvetica Neue', Arial, 'Liberation Sans', sans-serif; height: 60px; line-height: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 13px; padding-left: 0px; padding-right: 0px; padding-top: 10px; vertical-align: baseline;"&gt;&lt;div class="data-post" style="background-attachment: scroll; background-clip: initial; background-color: #ebeced; background-image: none; background-origin: initial; background-position: 0px 0px; background-repeat: repeat repeat; border-bottom-color: rgb(209, 211, 212); border-bottom-style: solid; border-bottom-width: 2px; border-color: initial; border-image: initial; border-left-color: rgb(209, 211, 212); border-left-style: solid; border-left-width: 2px; border-right-color: rgb(209, 211, 212); border-right-style: solid; border-right-width: 2px; border-style: initial; border-top-color: rgb(209, 211, 212); border-top-style: solid; border-top-width: 2px; color: #ee2d25; float: left; font-family: Verdana, Arial; font-weight: bold; height: 50px; margin-bottom: 0px; margin-left: 0px; margin-right: 20px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; text-align: center; vertical-align: baseline; width: 40px;"&gt;&lt;span class="dia" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: left; height: 30px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; width: 40px;"&gt;&lt;span style="font-size: xx-small;"&gt;23&lt;/span&gt;&lt;/span&gt;&lt;span class="mes" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-transform: uppercase; vertical-align: baseline;"&gt;&lt;span style="font-size: xx-small;"&gt;JAN&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;h2 class="titulo-post" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;a href="http://www.cartacapital.com.br/sociedade/em-oito-anos-valor-de-terreno-cresceu-25-vezes/" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: black; letter-spacing: -1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline; width: 0px;"&gt;&lt;span style="font-size: xx-small;"&gt;Em oito anos, valor de terreno cresceu 25 vezes&lt;/span&gt;&lt;/a&gt;&lt;/h2&gt;&lt;div class="entry-categoria" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #3b3c3f; height: 35px; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="font-size: xx-small;"&gt;Terreno vale hoje R$ 180 milhões. “É uma mina de ouro, alvo de especulação imobiliária intensa”, diz o vereador Wagner Balieiro (PT)&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="post-64878 post type-post status-publish format-standard hentry category-politica category-sociedade tag-desocupacao tag-pinheirinho tag-policia-militar tag-sao-paulo tag-violencia" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: 'Helvetica Neue', Arial, 'Liberation Sans', sans-serif; height: 60px; line-height: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 13px; padding-left: 0px; padding-right: 0px; padding-top: 10px; vertical-align: baseline;"&gt;&lt;div class="data-post" style="background-attachment: scroll; background-clip: initial; background-color: #ebeced; background-image: none; background-origin: initial; background-position: 0px 0px; background-repeat: repeat repeat; border-bottom-color: rgb(209, 211, 212); border-bottom-style: solid; border-bottom-width: 2px; border-color: initial; border-image: initial; border-left-color: rgb(209, 211, 212); border-left-style: solid; border-left-width: 2px; border-right-color: rgb(209, 211, 212); border-right-style: solid; border-right-width: 2px; border-style: initial; border-top-color: rgb(209, 211, 212); border-top-style: solid; border-top-width: 2px; color: #ee2d25; float: left; font-family: Verdana, Arial; font-weight: bold; height: 50px; margin-bottom: 0px; margin-left: 0px; margin-right: 20px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; text-align: center; vertical-align: baseline; width: 40px;"&gt;&lt;span class="dia" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: left; height: 30px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; width: 40px;"&gt;&lt;span style="font-size: xx-small;"&gt;23&lt;/span&gt;&lt;/span&gt;&lt;span class="mes" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-transform: uppercase; vertical-align: baseline;"&gt;&lt;span style="font-size: xx-small;"&gt;JAN&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;h2 class="titulo-post" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;a href="http://www.cartacapital.com.br/sociedade/comunidade-do-pinheirinho-foi-agredida-de-forma-brutal-diz-secretario/" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: black; letter-spacing: -1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline; width: 0px;"&gt;&lt;span style="font-size: xx-small;"&gt;Comunidade do Pinheirinho foi agredida “de forma brutal”, diz secretário&lt;/span&gt;&lt;/a&gt;&lt;/h2&gt;&lt;div class="entry-categoria" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #3b3c3f; height: 35px; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="font-size: xx-small;"&gt;Secretario nacional de Articulação Social, Paulo Maldos foi atingido por uma bala de borracha após tentar dialogar com oficiais da PM&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="post-64815 post type-post status-publish format-standard hentry category-politica category-sociedade tag-desocupacao tag-manifesto-da-oab tag-ordem-dos-advogados-do-brasil tag-pinheirinho tag-sao-jose-dos-campos" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: 'Helvetica Neue', Arial, 'Liberation Sans', sans-serif; height: 60px; line-height: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 13px; padding-left: 0px; padding-right: 0px; padding-top: 10px; vertical-align: baseline;"&gt;&lt;div class="data-post" style="background-attachment: scroll; background-clip: initial; background-color: #ebeced; background-image: none; background-origin: initial; background-position: 0px 0px; border-bottom-color: rgb(209, 211, 212); border-bottom-style: solid; border-bottom-width: 2px; border-color: initial; border-image: initial; border-left-color: rgb(209, 211, 212); border-left-style: solid; border-left-width: 2px; border-right-color: rgb(209, 211, 212); border-right-style: solid; border-right-width: 2px; border-style: initial; border-top-color: rgb(209, 211, 212); border-top-style: solid; border-top-width: 2px; color: #ee2d25; float: left; font-family: Verdana, Arial; font-weight: bold; height: 50px; margin-bottom: 0px; margin-left: 0px; margin-right: 20px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; text-align: center; vertical-align: baseline; width: 40px;"&gt;&lt;span class="dia" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: left; height: 30px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; width: 40px;"&gt;&lt;span style="font-size: xx-small;"&gt;23&lt;/span&gt;&lt;/span&gt;&lt;span class="mes" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-transform: uppercase; vertical-align: baseline;"&gt;&lt;span style="font-size: xx-small;"&gt;JAN&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;h2 class="titulo-post" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;a href="http://www.cartacapital.com.br/sociedade/bomba-estourou-perto-de-grupo-da-oab/" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: black; letter-spacing: -1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline; width: 0px;"&gt;&lt;span style="font-size: xx-small;"&gt;Bomba estourou perto de grupo da OAB&lt;/span&gt;&lt;/a&gt;&lt;/h2&gt;&lt;div class="entry-categoria" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #3b3c3f; height: 35px; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="font-size: xx-small;"&gt;Presidente da Comissão de Direitos Humanos da OAB em São José dos Campos diz que famílias não tiveram direito sequer de fazer o inventário das posses deixadas no assentamento&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-3409954119279981427?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/3409954119279981427/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=3409954119279981427&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/3409954119279981427'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/3409954119279981427'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/servico-da-treva.html' title='A serviço da treva'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-1822509845832974874</id><published>2012-01-23T18:15:00.001-08:00</published><updated>2012-01-23T18:15:33.388-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Debate Aberto'/><title type='text'>Pablo Neruda assassinado? O que sabemos talvez seja pior</title><content type='html'>&lt;br /&gt;&lt;h2 style="font-weight: normal; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 5px; text-align: justify; text-decoration: none;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; font-size: small;"&gt;Em relação à morte de Pablo Neruda, as perguntas talvez não tenham respostas. Ele estava acamado, quando o golpe aconteceu. E se supunha que o ódio dos criminosos que depuseram o governo chileno, respeitasse um dos poucos prêmios Nobel da América Latina até ali. Seu provável assassínio, portanto, não é uma questão tão simples.&lt;/span&gt;&lt;/h2&gt;&lt;div class="headline-link" style="font-weight: bold; margin-bottom: 5px; text-align: left; text-decoration: none;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Enio Squeff&lt;/span&gt;&lt;/div&gt;&lt;div class="texto" style="line-height: 18px; margin-top: 20px; text-align: left; text-decoration: none;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Parte da imprensa chilena, segundo a revista “Fórum”, está divulgando uma história que até bem pouco pareceria inverossímil: Pablo Neruda, prêmio Nobel de Literatura de 1971, teria sido assassinado. Em pleno golpe de estado levado a cabo pelo general Augusto Pinochet, Neruda, internado num hospital em Santiago do Chile, sofria de um suposto câncer na próstata, e talvez não tivesse muito tempo de vida. Foi quando alguém entrou em seu quarto, aplicou-lhe uma injeção na barriga e se retirou. Poucas horas depois, a se queixar de muitas dores, o poeta faleceu.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Aparentemente, e pelas conclusões dos legistas, a “causa mortis” teria sido um ataque cardíaco fulminante. O ex-motorista de Pablo Neruda, porém, preso em seguida à morte do escritor, reforça a versão do assassinato. A hipótese é que às dez mil mortes atribuídas a Pinochet e a Henry Kissinger (foi o ex-secretário norte-americano quem recomendou que as “coisas” - leia-se mortos “necessárias” - tanto no Chile, na Argentina, quanto no Brasil fossem “rápidas”), teria de ser acrescentada agora o assassínio do único Premio Nobel do Chile. Qualquer semelhança entre Pinochet e um dos maiores assassinos de todos os tempos, César Bórgia, filho do Papa Alexandre VI, pode ser um exagero. Mas poucos ressaltam o criminoso em Pinochet; já César Bórgia é uma unanimidade histórica desde o século XVI.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;No caso de Neruda, seu possível assassínio por enquanto é apenas uma forte hipótese. Sabe-se que Pinochet roubou o quanto pôde enquanto esteve no comando absoluto do Chile. No começo, isso também era uma hipótese – até que foram localizados alguns milhões de dólares em sua conta pessoal. Feitos os cálculos aritméticos, somados os seus salários com os de presidente e de general, não dava para compatibilizar uma coisa e outra. Ou seja, além de assassino, ladrão.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;César Bórgia foi bem mais objetivo: roubava principalmente dos padres e cardeais que o afrontavam, ou não. Bastava que mostrassem ter algum dinheiro, ou razoável fortuna pessoal, lá ia o filho do Papa com a guarda vaticana ou simples sicários. No dia seguinte, os corpos dos monges ou dos cardeais eram encontrados envenenados ou com algumas punhaladas no corpo. Como os prelados não tinham descendentes diretos por serem “oficialmente” celibatários, a riqueza passava para a Igreja. E dali para os Bórgias. O sistema chegou a ser adotado por alguns membros da repressão brasileira. Um deles foi explicitamente condenado num tribunal comum por roubo, embora seus maiores crimes fossem o que a justiça brasileira hoje em dia desconsidera, como assassínios e torturas.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Talvez não queira dizer muito que Pinochet tenha também um poeta famoso em seu saldo com Washington, que, aliás, comprovadamente patrocinou golpe de estado no Chile. Na política internacional, assassinos e vítimas, em geral, se esfumam na consideração de que as ordens de estado são sempre supervenientes. E, de fato, não deixam de sê-lo. Francisco Franco (1892-1975), ditador espanhol até a década de 70 do século XX, não deve ter considerado muito grave que um pelotão de falangistas que ele comandava, tenha incluído o poeta Federico Garcia Lorca entre os fuzilados que foram arrancados de uma prisão durante a revolução espanhola. Afinal, qual a diferença entre um poeta e pessoas comuns, igualmente inocentes – mas democraticamente trucidadas?&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Parece uma pergunta pertinente. No fundo, as injustiças das mortes de civis não são mais graves, por incluírem poetas e artistas. Stálin e Hitler, cada um a seu turno, mataram vários, justamente por serem uma coisa e outra ou ambas. Morrer por ideais, inclusive, parece ser mais coerente - ou mais explicável - do que estar casualmente na mira da eventual bomba ou do tiro errático de um combatente – louco ou não. Seria o que aconteceu com o poeta chileno?&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Pablo Neruda foi um dos comunistas mais notórios da América Latina do seu tempo. Nunca escondeu que era amigo de Salvador Allende, presidente derrubado por Pinochet e cujo suicídio, por sua vez, parece estar devidamente comprovado. Foi a exceção que talvez tivesse comprovado a regra. Imagina-se que Allende, como fez seu amigo poeta, poderia ter se entregado vivo às tropas golpistas chilenas: quem sabe fosse até poupado (uma cogitação quase fantasiosa, dada a sanha assassina dos golpistas e da CIA da época). Mas a Pablo Neruda sequer foi posta essa possibilidade: estava acamado, quando o golpe aconteceu. E se supunha que o ódio dos criminosos que depuseram o governo chileno, respeitasse um dos poucos prêmios Nobel da América Latina até ali&amp;nbsp;&lt;i style="text-decoration: none;"&gt;[Nota do autor: Agradeço ao leitor Sérgio Rodrigues pela retificação; de fato, Gabriela Mistral recebeu o Nobel de Literatura em 1945].&lt;/i&gt;&amp;nbsp;Seu provável assassínio, portanto, não é uma questão tão simples.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;É que poetas, jornalistas honestos, ou não oportunistas, são difíceis de fazer calar. Um certo Filofila, por exemplo, embora muito confiado no poder dos Orsini que disputavam o trono do Papa com os Bórgias, no século XVI, disse o que quis de Alexandre VI e de seus parentes – , principalmente os filhos, César e a filha, Lucrécia. Atos incestuosos entre os Bórgias, era o mínimo que divulgava em cartazes espalhados por toda a Roma no tempo em que a família Bórgia detinha o poder no Vaticano. Iludiu-se de que seu possível talento e seus protetores, o salvassem de suas ousadias – de seu talante, digamos. Equivocou-se. Um dia seu corpo horrivelmente mutilado foi descoberto nas ruas de Roma. Não chegou, porém, a ser uma morte vã: Victor Hugo, escritor romântico francês, valeu-se de muitos dos informes de Filofila para contar sobre a intensa criminalidade na alta Renascença Italiana.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Em relação a Pablo Neruda, as perguntas talvez não tenham respostas. No atual período democrático da America Latina há uma clara opção, menos pela violência do que pela compra de opiniões. Já agora e, por enquanto, parece estarem excluídas as execuções sumárias. Se existem denúncias a comprometer políticos ou homens poderosos, o melhor é a indiferença sob a forma de mutismo. Nesses casos, nem mesmo as possíveis dúvidas podem ser consideradas. Ou divulgadas. Se existem provas irrefutáveis contra alguém, e se tiver interessados na grande imprensa que ele não seja implicado – excluam-se as denúncias, por mais evidentes que sejam.&amp;nbsp;&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;É o que talvez sobre em relação à morte de Pablo Neruda. Vivemos tempos de bonanças e de silêncios. E talvez importe menos saber se os corpos jogados num canto qualquer de uma cidade do Afeganistão sejam de pessoas assassinadas, do que terem seus cadáveres urinados por soldados. Atos delituosos não parecem ser mais a tortura e o assassínio, do que o xixi sobre mortos.&lt;br style="text-decoration: none;" /&gt;&lt;br style="text-decoration: none;" /&gt;Aventemos, enfim, que importe pouco que Pablo Neruda tenha sido assassinado. Ele iria morrer de qualquer jeito.&lt;/span&gt;&lt;/div&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br style="text-align: left; text-decoration: none;" /&gt;&lt;/span&gt;&lt;div class="linha-fina" style="text-align: left; text-decoration: none;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Enio Squeff é artista plástico e jornalista.&lt;/span&gt;&lt;/div&gt;&lt;div class="linha-fina" style="text-align: left; text-decoration: none;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="linha-fina" style="text-align: left; text-decoration: none;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Fonte:&amp;nbsp;&lt;a href="http://www.cartamaior.com.br/templates/colunaMostrar.cfm?coluna_id=5412"&gt;http://www.cartamaior.com.br/templates/colunaMostrar.cfm?coluna_id=5412&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-1822509845832974874?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/1822509845832974874/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=1822509845832974874&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/1822509845832974874'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/1822509845832974874'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/pablo-neruda-assassinado-o-que-sabemos.html' title='Pablo Neruda assassinado? O que sabemos talvez seja pior'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-7252759963780869268</id><published>2012-01-23T18:04:00.000-08:00</published><updated>2012-01-23T18:04:34.628-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Opniao'/><title type='text'>'PINHEIRINHO' E A NOVA PRESIDENTA DA PETROBRÁS</title><content type='html'>&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial;"&gt;A nova presidenta da Petrobrás, Graça Foster, nasceu numfavela. Sua infância foi vivida no Morro do Adeus, no Rio de Janeiro, que hojeintegra o Complexo do Alemão. Até os 12 anos, ela catou papel e lata na ruapara custear os estudos, como narrou recentemente em entrevista ao jornalValor. Há mais de três década na Petrobrás Graça sucederá a José SérgioGabrielli, que dirigiu a estatal no ciclo &amp;nbsp;mais importante desde suacriação, nos anos 50. O saldo mais reluzente desse período foi a descoberta &amp;nbsp;dasreservas pré-sal, mas, sobretudo, &amp;nbsp;a regulação soberana dessa riqueza peloPresidente Lula. Em 2009, a contrapelo da coalizão demotucana e do candidato daderrota conservadora, José Serra, o governo brasileiro &amp;nbsp;transformou aprincipal&amp;nbsp;descoberta de petróleo no mundo dos últimos 30 anos&amp;nbsp;numapoupança do povo brasileiro. Recusou-se a reduzí-la a uma commodity para orepasto dos mercados. Serra, na campanha de 2010, prometeu: vitorioso,decretaria a 'reintegração de posse do pré-sal' às petroleiras internacionais.A mulher que assume esse patrimônio histórico sabe onde o Brasil grita eprecisa ser ouvido. O Brasil pobre hoje grita em 'Pinheirinho', por exemplo, aocupação de quase seis mil pessoas, violentamente despejada neste domingo emSão José dos Campos (SP). No momento em que a truculência do dinheiro e omenosprezo conservador pelos excluídos produz uma tríplice aliança entre opoder judicial paulista, o governo do Estado e a administração tucana de SãoJosé dos Campos, é valioso saber que dentro do governo existem olhos e ouvidosque sabem onde o Brasil grita. Reverter o arrasa-terra em 'Pinheirinho' seria amelhor &amp;nbsp;forma de&amp;nbsp;o governo&amp;nbsp;Dilma transformar a nomeação de GraçaFoster mais do que numa boa notícia: um símbolo de seu mandato, em defesa dasmeninas pobres que ainda catam papel e lata nas&amp;nbsp;ruas do país.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="font-style: italic; text-align: right;"&gt;(Carta Maior; 3ª feira; 24/01/ 2012)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial;"&gt;&lt;a href="http://www.cartamaior.com.br/templates/index.cfm" style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;http://www.cartamaior.com.br/templates/index.cfm&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="background: white; color: #cc0000; font-family: &amp;quot;Georgia&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-7252759963780869268?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/7252759963780869268/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=7252759963780869268&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/7252759963780869268'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/7252759963780869268'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/pinheirinho-e-nova-presidenta-da_23.html' title='&apos;PINHEIRINHO&apos; E A NOVA PRESIDENTA DA PETROBRÁS'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-8867060554054392205</id><published>2012-01-22T13:13:00.000-08:00</published><updated>2012-01-22T13:13:05.272-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Arte'/><category scheme='http://www.blogger.com/atom/ns#' term='Som'/><title type='text'>Mahavishnu Orchestra</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-h_hwJsMbrnI/Txx6jsTdKMI/AAAAAAAAg9c/Hy4yc_ANWUU/s1600/Mahavishnu.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-h_hwJsMbrnI/Txx6jsTdKMI/AAAAAAAAg9c/Hy4yc_ANWUU/s1600/Mahavishnu.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="222" src="http://www.youtube.com/embed/-P-EBcF1u9Y" width="230"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-A4Sb-3tHhRE/Txx7ANm_OjI/AAAAAAAAg9k/3VJBO4uKdlo/s1600/Mahavishnu1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-A4Sb-3tHhRE/Txx7ANm_OjI/AAAAAAAAg9k/3VJBO4uKdlo/s1600/Mahavishnu1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="222" src="http://www.youtube.com/embed/JBWbQL7Poog" width="230"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-GzwdAk6ulkA/Txx7LSxuaWI/AAAAAAAAg9s/6LIm7MaecIY/s1600/Mahavishnu2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-GzwdAk6ulkA/Txx7LSxuaWI/AAAAAAAAg9s/6LIm7MaecIY/s1600/Mahavishnu2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="222" src="http://www.youtube.com/embed/QyDwQWScFHU" width="230"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;span style="line-height: 18px; text-align: left;"&gt;Mahavishnu Orchestra&lt;/span&gt;&lt;br style="line-height: 18px; text-align: left;" /&gt;&lt;span style="line-height: 18px; text-align: left;"&gt;Birds of Fire (1973)&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-eDo8_vwuRIY/Txx7P8mjtuI/AAAAAAAAg90/4ZD48Pe5MgA/s1600/Mahavishnu3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-eDo8_vwuRIY/Txx7P8mjtuI/AAAAAAAAg90/4ZD48Pe5MgA/s1600/Mahavishnu3.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br style="line-height: 18px; text-align: left;" /&gt;&lt;span style="line-height: 18px; text-align: left;"&gt;'Thousand Island Park'&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black; line-height: 18px; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black; line-height: 18px; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="222" src="http://www.youtube.com/embed/QDK8bbSLto0" width="230"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;span style="line-height: 18px; text-align: left;"&gt;One more, while I've still got the urge (and the flu). I'm now convinced I saw this show on TV, during my mid-teens (I thought it was the BBC concert before).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;span style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-2MsYSz14PeA/Txx7vVlaGJI/AAAAAAAAg98/xj9rG_B-C0Y/s1600/Mahavishnu4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-2MsYSz14PeA/Txx7vVlaGJI/AAAAAAAAg98/xj9rG_B-C0Y/s1600/Mahavishnu4.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;span style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black; line-height: 18px; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black; line-height: 18px; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="222" src="http://www.youtube.com/embed/8rcL1sDKCak" width="230"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;span style="line-height: 18px; text-align: left;"&gt;Chateauvallon, France @ Amphitheatre - Festival de Chateauvallon, August 23rd, 1972&lt;/span&gt;&lt;br style="line-height: 18px; text-align: left;" /&gt;&lt;br style="line-height: 18px; text-align: left;" /&gt;&lt;span style="line-height: 18px; text-align: left;"&gt;John McLaughlin - Electric Doubleneck Guitar&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;span style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-nfto9JQMbcc/Txx72Xn-VBI/AAAAAAAAg-E/wdxZeMSlqlM/s1600/Mahavishnu5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-nfto9JQMbcc/Txx72Xn-VBI/AAAAAAAAg-E/wdxZeMSlqlM/s1600/Mahavishnu5.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;span style="line-height: 18px; text-align: left;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6617819476792468520-8867060554054392205?l=marcelodubai.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://marcelodubai.blogspot.com/feeds/8867060554054392205/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6617819476792468520&amp;postID=8867060554054392205&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/8867060554054392205'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6617819476792468520/posts/default/8867060554054392205'/><link rel='alternate' type='text/html' href='http://marcelodubai.blogspot.com/2012/01/mahavishnu-orchestra.html' title='Mahavishnu Orchestra'/><author><name>Marcelo Cunha</name><uri>http://www.blogger.com/profile/06531216584638744533</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://1.bp.blogspot.com/-r_jNI8LWdzg/TgNAISXCd2I/AAAAAAAAaiw/52lkd_pzbO4/s220/IMG001027.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-h_hwJsMbrnI/Txx6jsTdKMI/AAAAAAAAg9c/Hy4yc_ANWUU/s72-c/Mahavishnu.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6617819476792468520.post-6475854746708805269</id><published>2012-01-22T12:49:00.000-08:00</published><updated>2012-01-22T12:49:11.242-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Educação'/><title type='text'></title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-iPhyUYiTOU4/Txx1Up7gT9I/AAAAAAAAg9E/EYkV7J-7TiY/s1600/GOA1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;img border="0" height="210" src="http://1.bp.blogspot.com/-iPhyUYiTOU4/Txx1Up7gT9I/AAAAAAAAg9E/EYkV7J-7TiY/s320/GOA1.jpg" width="320" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="text-align: left;"&gt;&lt;span style="font-size: xx-small;"&gt;Goa has developed many tourist traps over the years, but what many forget is that the area is so large and diverse that you can visit the state and lounge by the sea without a package tourist as far as the eye can see.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="line-height: 16px; text-align: left;"&gt;This Indian state is known for its haute hippie culture, beaches and legendary parties - we uncover its hidden gems&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; line-height: 16px; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;By Nyree McFarlane, Deputy Editor, Scene magazine&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;Published: 00:00 January 19, 2012&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-JYMMalreEec/Txx1f_K80AI/AAAAAAAAg9M/E35bb0IjSdA/s1600/GOA2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;img border="0" height="210" src="http://1.bp.blogspot.com/-JYMMalreEec/Txx1f_K80AI/AAAAAAAAg9M/E35bb0IjSdA/s320/GOA2.jpg" width="320" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="text-align: left;"&gt;&lt;span style="font-size: xx-small;"&gt;Pousada Tauma in Calangute.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;It's the mix of Mediterranean and Indian culture is what makes this southern state so captivating and diverse. A Portuguese outpost for almost 500 years, the colonial influence can be seen throughout the landscape of Goa, and in more ways than one, with the cuisine combining coconut and chilli with Mediterranean cooking techniques and flavours, the crumbling turquoise-and-white architecture echoing back to that era and the residents even partaking in a siesta or two.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;There's something for everyone in Goa, drive inland to one of the many friendly villages (like Assolna and Mollem) and envelop yourself in the green countryside, which is dotted with Portuguese churches as well as Hindu temples, visit the capital of Panaji, considered one of the most beautiful cities in India, and find yourself immersed in preserved heritage areas - don't miss the Latin Quarter! - then hop aboard Casino Royale, a yacht, and India's only casino. Or head to the coast, where, although you will find beaches jam-packed with tourists wearing polyester football jerseys, you can also find secluded shores, glamorous beach clubs and much more. You just need to know where to look, and that's where we come in…&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-HH0v8HD9SBM/Txx1rMOAqMI/AAAAAAAAg9U/eL7aRvn5KVU/s1600/GOA3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;img border="0" height="210" src="http://4.bp.blogspot.com/-HH0v8HD9SBM/Txx1rMOAqMI/AAAAAAAAg9U/eL7aRvn5KVU/s320/GOA3.jpg" width="320" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;span style="text-align: left;"&gt;&lt;span style="font-size: xx-small;"&gt;Expect visitors while tanning.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Secret shores&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;True, Goa has developed many tourist traps over the years, but what many forget is that the area is so large and diverse that you can visit the state and lounge by the sea without a package tourist as far as the eye can see.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Calangute Beach in the north of Goa is one of the most popular and busy beaches, however, avoid the crush by booking into boutique hotel, Pousada Tauma. It's about 10 minutes away from the beach in a quiet part of Calangute, and the room rates include breakfast and dinner (lobster masala!), there are beautiful gardens to relax in and even an ayurvedic centre (try the transfixing shirodhara treatment - which involves oil slowly dripping onto your forehead). The best bit, however, is that the hotel has its own private patch of beach, which they will happily drive you to. A day spent here means you're close to the action if you want to be, but far-removed enough that you won't suffer from crowd-induced panic attacks (rooms are from around Dh1,000 a night, including half-board for two people, see www.pousada-tauma.com for details).&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Another location to try even further north is Ashvem Beach, which is known for its laid-back vibe and the fact that Jade Jagger has her own jewellery boutique there. The 13km uninterrupted stretch of white sand is bursting with beach huts and Zen energy. If you want to lie back during the day but go large at night, Ashvem isn't known for its nightlife - but the equally beautiful Arambol beach is only a five-minute rickshaw ride away, and it most certainly livens up in the evenings. Do venture inland from these beaches to find lush landscapes, coconut groves and welcoming villages. If you want to truly channel Gwyneth and Jade then book in for a yoga retreat at the much-adored Yoga Gypsies; they offer beach huts, Portuguese cottages and even teepees as accommodation, and they take their sun salutations very seriously (www.yogagypsys.com; teepees start from Dh35-a-night, while cottages are around Dh100-a-night).&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;For an entirely different, more European-style experience, try Marbela Beach Tents. A favourite of Bollywood celebs, the white-washed resort is true luxury, and word has it that South Indian star, Trisha, stayed there over the New Year. Most people lounge on the white beds and listen to chill-out music during the day, but then glam up for the famous parties come sundown - so stay here if you're planning to pack heels as well as kaftans (www.marbelabeach.com, rooms in the gorgeous beachside villa, where Chef Michael from Austria will cook up feasts for you, cost from Dh700 a night). And Marbela Beach tents are on Morjim beach, known for its tranquillity and for being the breeding spot for Olive Ridley turtles - you can see them hatching from November to March.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Life's not just a beach&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;If you want to do more than tan and lounge during your holiday, Goa also offers a major cultural grab-bag. Don't leave without visiting Unesco World Heritage site, Old Goa, which is in the north - constructed in the 15th century, this town served as the capital of Portuguese India from the 16th until the 18th century, but was then abandoned because of the plague. During its peak, the population exceeded that of Lisbon and London - but now all that remains is the architecture and atmosphere. Opt to go on a weekday rather than a weekend so you have some elbow room, and while there, visit the Tomb of St Francis Xavier, which was completed in 1698 and was commissioned by the Grand Duke of Tuscany.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;If global retail therapy is your thing, don't miss Anjuna Wednesday flea market in Panjim for a shopping kick - it's a hippie institution set up in the early 1970s and remains a bustling spot, full of expats and locals selling their wares (Anjuna beach is also known for its full moon parties). If you're after an even quirkier market (some claim Anjuna is too touristy now) then head to the Saturday night bazaar in nearby Baga where you'll find handicrafts, tarot readers and Goan cuisine, as well as live music playing in all the surrounding bars.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Whether it's a beach holiday or lush greenery and cultural expansion that you seek, Goa is where you can find it - and at less than three hours away from Dubai, it's the perfect long-weekend destination.&lt;br /&gt;&lt;br /&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Stay there&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;u style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Luxury: Nilaya Hermitage&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;Kate Moss, Jade Jagger et al love this dreamy, effortlessly cool ‘shack'. Meaning Blue Heaven in Sanskrit - the organically curved architecture, the cosmic vibe, the ayurvedic spa and the private 65-foot wooden dhow all make this place rough-luxe at its best. Staying here will almost feel like existing on a dreamy movie set - and you never know, Gwyneth may just stroll past in fisherman pants. Rooms from Dh1,400 a night - including breakfast, a three-course dinner and access to all wellness facilities.&lt;br /&gt;&lt;a href="http://www.nilaya.com/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;www.nilaya.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;u style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Mid-Range: Capella&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;A private guesthouse nestled in a quiet hill not far away from bustling Baga and Calangute, Capella has the look of a high-design boutique hotel. The gardens are beautiful, you may spot a peacock or two while lounging by the infinity pool, and the staff are happy to arrange excursions for you (Old Goa is 40 minutes away), although we'd find it hard to tear ourselves away from the property. Scrabble and a cold one on the terrace? Yay! Rooms from Dh350 a night.&lt;br /&gt;&lt;a href="http://www.capellagoa.com/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;www.capellagoa.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;u style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Budget: Casa Tres Amigos&lt;/strong&gt;&lt;/u&gt;This quirky guesthouse in Assagao Village, North Goa, epitomises the Goan spirit; it's a few kilometres from the beach, but just hop on a scooter and you're there. Run by people who love what they do and want to make sure you love being there, the food is delectable, the monkeys provide an afternoon chorus and the pool overlooks verdant rice paddies. Book the bamboo tree house for extra atmosphere. Rooms from Dh130 a night.&lt;br /&gt;&lt;a href="http://www.casa-tres-amigos-goa.com/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;www.casa-tres-amigos-goa.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Filmed there:&amp;nbsp;&lt;/strong&gt;&lt;em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Casino Royale, The Bourne Supremacy, Ladies Vs Ricky Bahl, Khelein Hum Jee Jaan Sey&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Fly there:&amp;nbsp;&lt;/strong&gt;Air Arabia flies to Goa direct from Dh1,300 return. See&lt;a href="http://www.airarabia.com/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;www.airarabia.com&lt;/a&gt;&amp;nbsp;for more.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;/div&gt;&lt;h5 style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 7px; padding-left: 10px; padding-right: 10px; padding-top: 7px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif; font-size: small;"&gt;Trip notes&lt;/span&gt;&lt;/h5&gt;&lt;div class="face-holder" style="background-attachment: initial !important; background-clip: initial !important; background-origin: initial !important; background-position: 5px 0px !important; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; vertical-align: baseline; width: 400px !important;"&gt;&lt;ul style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: none !important; list-style-image: initial; list-style-position: initial; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; width: auto !important;"&gt;&lt;li style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-color: rgb(230, 230, 230); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; clear: none !important; float: none; list-style-type: disc; margin-bottom: 0px; margin-left: 16px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 8px !important; padding-left: 0px !important; padding-right: 0px !important; padding-top: 8px !important; vertical-align: baseline; width: auto;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Twenty-nine kilometres from the Goan capital of Panaji, this city was once the safe haven for Hindus during clashes with the Portuguese and is home to the state's most beautiful temples.&lt;/span&gt;&lt;/li&gt;&lt;li style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-color: rgb(230, 230, 230); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; clear: none !important; float: none; list-style-type: disc; margin-bottom: 0px; margin-left: 16px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 8px !important; padding-left: 0px !important; padding-right: 0px !important; padding-top: 8px !important; vertical-align: baseline; width: auto;"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Dudh Sagar Waterfall, the highest waterfall in India, is in southern Goa and stands at 306 metres tall. The name translates as ‘Sea of Milk' - as it looks like frothy milk as it pours down the rock face.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;h5 style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 7px; padding-left: 10px; padding-right: 10px; padding-top: 7px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; 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background-clip: initial; background-image: initial; background-origin: initial; border-bottom-color: rgb(230, 230, 230); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; clear: none !important; float: none; list-style-image: initial !important; list-style-position: initial !important; list-style-type: disc; margin-bottom: 0px; margin-left: 16px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 8px !important; padding-left: 0px !important; padding-right: 0px !important; padding-top: 8px !important; vertical-align: baseline; width: auto;"&gt;&lt;a href="http://gulfnews.com/life-style/travel/visit-the-film-location-swiss-alps-1.957114" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; 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list-style-image: initial !important; list-style-position: initial !important; list-style-type: disc; margin-bottom: 0px; margin-left: 16px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 8px !important; padding-left: 0px !important; padding-right: 0px !important; padding-top: 8px !important; vertical-align: baseline; width: auto;"&gt;&lt;a href="http://gulfnews.com/life-style/travel/visit-the-film-location-europe-s-spa-towns-1.960123" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" title="Visit the film location: Europe's spa towns "&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Visit the film location: Europe's spa towns&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="last" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-color: initial !important; border-bottom-style: none !important; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; clear: none !important; float: none; list-style-image: initial !important; list-style-position: initial !important; list-style-type: disc; margin-bottom: 0px; margin-left: 16px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 8px !important; padding-left: 0px !important; padding-right: 0px !important; padding-top: 8px !important; vertical-align: baseline; width: auto;"&gt;&lt;a href="http://gulfnews.com/life-style/travel/visit-the-film-location-colorado-1.963014" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" title="Visit the film location: Colorado"&gt;&lt;span style="background-color: black; color: white; font-family: Verdana, sans-serif;"&gt;Visit the film location: Colorado&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: black; text-align: left;"&gt;&lt;span style="color: white; font-family: Verdana, sans-serif; font-size: xx-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: xx-small;"&gt;Source:&amp;nbsp;&lt;a href="http://gulfnews.com/life-style/travel/visit-the-film-location-goa-1.966117"&gt;http://gulfnews.com/life-style/travel/visit-the-film-location-goa-1.966117&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="background-color: #f2f0e6; color: #444444; font-family: Ar
